Look at these approaches to exploring food by artists:
“The pancakes were vegan (flax seeds being a cheaper—and more ethical?—binding agent than eggs) and local (because, although it was more expensive, the local flour was in the bin beside the less-expensive, non-local flour and I couldn’t pretend that I hadn’t seen it). The recipe was for extra fluffy pancakes (for obvious reasons). The apartment smelled very good until the pancakes dried up and shrank away from the ceiling. When I composted them I discovered that the pancakes had become colourful with mold in the places where they were pressed together and still moist.
My partner asked me if I made A stack of pancakes to hold up the ceiling because the ceiling fell two years prior. I said no, although the question reminded me of the fact that the ceiling did, indeed fall. So perhaps that is the reason. ” AT from https://aislinnthomas.ca/index.php/portfolio/a-stack-of-pancakes-to-hold-up-the-ceiling/
Rod, Bernie, Peggy, Aislinn
Rapport Report, a video screening curated by Tejpal Ajji, described this video of narrative vignettes: “Using her kitchen as a set for storytelling, Thomas recounts a family history using recipes representing her father, mother, grandfather, and herself.” Below is an excerpt of the video. Rod, Peggy, Bernie, Aislinn was included in CAFK+A.11 and several screenings.
In Love with Patty Chang:
Christian Jankowski – Bow hunting in the supermarket
Women With Kitchen Appliances
FOOD ART Assignment:
For next class, propose a way to use food in a short video or photographic series that explores aspects of food other than how it tastes –
This might include actions that explore:
The tactile/material qualities of food and food-related devices
The sounds of food, the smells of food
Memories of food
Food and emotions
Popular representations of food in culture
Relationships of food to the body
Food and gender
Visual aspects of food
How food changes in time
How food connects us to each other
Think of a series of gestures – working with food on hand and create a work that pushes the limits of how we expect to relate to food.
This can be done in your home, with food and related implements, and/or you may also work with found video/images from other sources in your work.
Create a video up to 1 minute (can be for a loop) or a series of 12 images – consider instagram as your final exhibition site for this work – and what works well on that platform. We will discuss this in class.
Post your final video on the blog with a description that references artworks seen in class.
TECH TIME this week will have Nathan consulting on all your video art ideas throughout class. He will promote his DaVinci Resolve workshop and his resources for sizing videos for the web.
Michelle Pearson Clarke
Suck Teeth Compositions (After Rashaad Newsome)
3-channel, HD video installation with sound 16 x 9 format, 9:47 | 2018
In Shade Compositions (2005-present), a series of live performances and videos, the African-American artist Rashaad Newsome explores issues of Black authorship, appropriation, identity and belonging by conducting choirs of women (and sometimes, gay men) of colour who snap their fingers, smack their lips, roll their eyes, and cock their heads, creating expressive linguistic symphonies out of the nonverbal gestures and vocalizations of African-American women. Suck Teeth Compositions (After Rashaad Newsome) is a three-channel video and sound installation that both responds to and extends this inquiry by focusing on sucking teeth, an everyday oral gesture shared by Black people of African and Caribbean origin and their diasporas, including those of us who live here in Canada.
Referred to variously as kiss teeth, chups, steups, and stchoops, to suck teeth is to produce a sound by sucking in air through the teeth, while pressing the tongue against the upper or lower teeth, with the lips pursed or slightly flattened. West African in origin, this verbal gesture is used to signify a wide range of negative affects, including irritation, disapproval, disgust, disrespect, anger and frustration. Given that representations of African-American Blackness dominate and define mainstream understandings of the Black experience, when it comes to anti-black racism, most white Canadians are allowed to feel comfortable and are supported in their comfort by the historical and ongoing narratives of “not me,” “not us,” “only them, down there.” Suck Teeth Compositions (After Rashaad Newsome) is thus a response to the frustrations of living within this denial, and an expression of the anger and pain that many Black people often experience living in Canada, where we are always assumed to be better off, if not completely free of racism. (From https://www.michelepearsonclarke.com/suck-teeth-compositions/)
Installation Photo (Royal Ontario Museum, 2018): Peter Schnobb
Basil AlZeri is a Palestian artist based in Toronto working in performance, video, installation, food, and public art interventions/projects. His work is grounded in his practice as an art educator and community worker. He explores the intersections between the quotidian and art, and strives for interactions with the public, using social interactions and exchanges to create gestures of generosity.
AlZeri’s performance work has been shown across the Americas.
The Mobile Kitchen Lab
With The Mobile Kitchen Lab (2010 – present), AlZeri performs simple and generous gestures, inviting his guests to identify the Palestinian stories of land, resources and labour that are built into his recipes.
Initiated in 2010, his durational performances feature live projected instructions provided by his mother, Suad, via Skype.
Make notes on two of the above videos. What strikes you in each of them? Describe the ways artists use the media of video technologies to create affecting experiences for viewers. How would the works be different if these media were not used? What do you think the conceptual prompts/instructions were for the performers?
Record and edit your new work for teleconferencing technologies. You may work together with others from the class. Post your finished work (up to 4 minute excerpt) to the blog with a concise description of the piece.
Get help from Nathan with your editing, and with sizing the video for the web. Nathan’s office hours are Monday and Thursday 1-4, and he is also available by email for appointments. See resources for video on this blog, under Resources.