Month: October 2015

  • Bird Banding with Chris Earley

    Bird Banding with Chris Earley

    Bird Banding is the practice of capturing birds in order to attach bands to their legs for identification purposes, recording data, and then releasing the bird back to the wild.

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    On Thursday October 8th, I had the privilege of joining Chris Earley and the Lab Studies in Ornithology class for a morning of bird banding! The first thing I got to see was Chris surrounded by ornithology students as he pulled birds out of small, cloth bags for data collection. For each one, he identified (if possible) and recorded the date, the bird’s ID, specie, sex, age, weight, and fat level, as well as any unusual characteristics.

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    Before you get ahead of yourself, you must record the identification numbers and letters if the bird is a re-capture and give it a new one if it does not have one already. These are read from a silver aluminium band. The date and time of capture must also be recorded. You also must initial your name, so that people know who made a mistake (probably YOU).

    In order to band a bird, you must first measure it’s leg size. Chris has a handy dandy measuring device to help him give the bird the right sized band so that it is not too tight, nor too loose. You don’t want it to hurt the bird, but you also don’t want it too fall right off!

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    Bird banding pliers are used to open the band enough to attach around the leg, and then tightened shut.

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    Here, Chris is banding a White Throated Sparrow, who has a cute little white patch under his “chin” and a yellow mark between his eye and beak. This bird can have either brown, grey-brown, or red-brown eyes. This species has a light band above the eye which is either white or tan coloured, the white band being more dominant.

    The Chickadees, which are a resident bird here at the Arboretum get coloured bands in order for easy identification through binoculars. On this occasion, we skipped identifying the bird’s sex and fat level because you cannot tell what sex a chickadee is unless they are breeding, and the fat level is skipped because they live here and are sufficiently fed (they don’t have to store fat for later!)

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    This beautiful Chickadee gets some lovely bright coloured bands. The pattern or combination of the bands are marked down on record, reading from top left to bottom right (by left, Chris means the bird’s right leg, so that when it’s standing facing you on a branch, you read it like a book).This may vary depending on the the place it is banded.

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    Keeping track of all these Chickadees is useful for knowing how old some of them are, which is often difficult to tell. The oldest Chickadee at the Arboretum is at least 7 years old, which is fantastic for a bird that has an average life expectancy of less than 2 years.

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    Sometimes you can tell how old a bird is by subtle differences in colour or feather quality. Above, Chris is looking at the tail feathers of the White Throated Sparrow to see if they are abraded or not. So, if they look scruffy we can guess the bird’s hatch year: the age of the bird based on the year they were hatched. Another example is in the Hermit Thrush, who’s hatch year is based on plumage:

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    The wing chord is usually measured to determine if the bird is male or female. For White Throated Sparrows, a wing chord or 60mm or fewer is a female, and 74mm or greater is male.

    Here, the wing chord of a Mourning Dove is measured in order to determine it’s sex. However, if this measurement isn’t outside of the unknown interval, Mourning Doves who are male have more blue coloured feathers on their head. (This one is female!)

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    Look how big it is compared to the tiny Red Breasted Nut Hatch. *simultaneous aww*

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    Next, in order to check the birds Fat Level, you must blow on the birds chest, belly, and under his wing to see the amount of fat it has – then he gets a number according to a fat level chart.

    Here, the lovely Mourning Dove we saw earlier looks slightly embarrassingly at the camera as Chris checks how fat she is:

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    Finally, the birds are put back into their cloth bags in order to properly weigh them on a digital scale.

    Then, they are released! I got to hold and release a White Throated Sparrow, making me the happiest ornithologist ever.

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    To release the bird, you hold it in one hand using what is called a Bander’s Grip. The other hand is held flat underneath the bird’s feet (NOT shown above…) so that the bird can stand on your hand, then you let go of the bird with your first hand and voila, the bird takes off faster than lightning and flies away.

    There are two common ways to hold a bird:

    The first is called Bander’s Grip, where two fingers are positioned on either side on it’s head, not too tight, but tightly enough so that the tips of your fingers are close to touch. The bird rests belly up in the palm of your hand, excellent for identification and comfortable handling.

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    The second is called Photographer’s Grip, where three fingers are used to hold his legs and feet. This is useful to get a beautiful photo of you and your bird as it sits up naturally (shown below). Below is a beautiful Dark Eyed Junco who’s colour ranges from dark grey to black and who’s eye colour varies from redish brown to dark red.

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    Just when you think you’ve gotten through all the birds, you’re happily mistaken. You go on a couple net runs to check if more birds have been caught in the Mist Net. These are long nets made up of  very light, fine mesh that pockets birds that fly into it.

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    The birds kind of just hang out there until somebody comes to free them, which, depending on how tangled up the bird got, may take quite a while. Although it’s funny when just as your trying to help them out of their tangled mess, they start to chirp at you and move around more! This Ruby Crowned Kinglet awaits assistance. Only males have the red crown, so this one is female!

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    Not sure if this Hermit Thrush is screaming help me, or don’t help me….

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    When you untangle a bird, you carefully place it into a cloth pouch using a bander’s grip, then carefully sliding your hand out so that the bird does not find it’s way out following your arm. You then wrap the tie around once, through the loop, and secure.

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    This takes a lot of concentration and great care to make sure you don’t hurt the bird. Sometimes the bird will get itself caught in many layers of the mesh, just like this Chickadee did.

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    Just for fun, some ornithologists are holding up bird seed to see if any will land on their hand….none did.

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    Overall, it was a fantastic morning, even though I had to sprint to my class right after. If you are interested in birds (which you should be), Chris Earley may still be doing weekly bird banding. The Wildlife Club also has bird watching in the morning at the Arboretum, who you can e-mail at wildlife@uoguelph.ca

    Sorry for the long post, here is a confused Northern Cardinal:

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  • Arboretum Mushroom Foray

    Arboretum Mushroom Foray

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    The annual Extended Practices Arboretum Mushroom Foray took place Oct. 7th this year, on an unseasonably warm afternoon.

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    Marije and Rachel with some delicate wing-like brackets, and Nora with the cutest button in the woods.

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    Alaina’s basket of several different macro-fungi including this jelly – commonly called “witch’s butter”.

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    A selection of field guides from the library-trunk.

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    Main identification features for stalked, gilled mushrooms.

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    Chris Earley from the Arboretum participating in the ID session on the hood of the car. Art Historian and mushroom enthusiast Dario Ré describing morphological features.

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    Dario, Rachel, Sonali and Marije check out gills and spore colour. I carry deadly poisonous Gallerina autumnalis back into the woods.

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    Edward, Sydney and an immaculate Clitocybe, smelling of aniseed, aslo edible Hericium with “teeth”.

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    The day’s species included several jellies, brackets, Clitocybe, medicinal Ganoderma, Suillus, Russulas, pear-shaped puffballs, Hygrocybe, wolf’s milk and other slime moulds. Luckily no one brought back a stink-horn this time!

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    John Cage inspecting a giant parasol mushroom. Major modern composer, artist, poet and writer –  Cage was deeply enthusiastic about fungi, and was the first president of the New York Mycological Society. He developed several works, pieces of music and writings related to foraging and mushrooms. Aspects of chance and indeterminacy, along with silence – were among his most important themes. See this charming video for Cage’s interpretations of a mushroom haiku.

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    Carsten Holler, Experience, 2011.

    For more information on John Cage, fluxus, and the significant relationships between contemporary art and mushrooms – see Dario Ré’s Mushroom Resource – featuring countless examples of works featuring mushrooms and mycology organized by genus. In Carsten Holler’s work above are the hallucinogenic: Amanita muscaria. In Eastern Canada and Ontario we have only the yellow version (variation: formosa), with the same toxic properties as the iconic red Amanita’s found in the west coast.

  • How To Skip A Stone

    How To Skip A Stone

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    Last Friday, Outdoor School spent the day at Monocliffs where I properly demonstrated how to skip a stone.

    Stone skimming, ducks and drakes, or more commonly known as skipping stones is the act of throwing a stone across water in a way that it bounces off the surface multiple times.  You want to choose a stone that is flat, skinny and about the size of your palm.  The smoother and flatter the stone the better it will skip across water without breaking surface tension.  I prefer rocks that are not perfectly smooth, so I’m able to grip it for a better spin.
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    Once you have your stone, you want to hold it between your index finger and thumb, placing the edge of the stone against your index finger.  Place your thumb on one flat side of the stone and your middle finger on the other.  Your thumb should be rested on top and the stone should fit in the crook of your index finger.

    Face the water sideways with your non-dominant side closest to the water.  Squat down, so the rock is more parallel to the water when you toss it.  You’ll want to slightly angle your rock upwards.  The front side of the stone should be tilted at about 20°.
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    Skipping stones may seem simple, but it’s a beautiful pastime because it connects us to our natural surroundings and often with one another.  I think there is something very special about the act of searching the earth for a stone.
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    It also creates the nicest sound.

    thank you Alison for documentation.

  • Mono Cliffs Provincial Park Trip

    Mono Cliffs Provincial Park Trip

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    Collecting and tasting wild apples.
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    Picnic at McCarsten’s Lake.

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    An invigorating (COLD!) October dip.

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    Outdoor School Group shot in the woods, Fall 2015.

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    Walk back through the wildflower field.

  • Reading Outside (Actually, Inside a Greenhouse)

    Reading Outside (Actually, Inside a Greenhouse)

    Date: October 5th 2015

    Our second “Reading Outside” performance took place in the greenhouses attached to the Bovey building on campus. During this reading-out-loud event, we covered topics of the usefulness and uselessness of nature and art.

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    We started by reading an article titled Useless Creatures by Richard Conniff, an opinion writer and published author. He professed the idea that wildlife should not have its valued measured by its usefulness to humans, but marvelled for its beautiful uselessness.

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    We also read an excerpt from Mishkos Kenomagwen: The Teachings of Grass, a narration about the struggles of making the relationship between Sweetgrass and basket makers’ harvesting known to the science world. This in contrast to the article emphasized the usefulness of the grass. But more importantly, it stressed how the relationship between humans and our environment can actually help it flourish.

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    Even though we were not technically outside, being surrounded by a vast variety of plants and the sound of trickling water made us feel close to nature any how.

  • October 5th Visit to the Insect Collection

    October 5th Visit to the Insect Collection

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    Today we visited the insect collection on campus in the Bovey building and were toured around by Morgan (thanks Morgan!). The University of Guelph Insect Collection was established in 1863 (that’s older than Canada as a country!) and contains specimens from that same year. Insects in the collection are from all over the world with an emphasis on insects from southern Ontario.

    Below are some photos from our visit and some things we learned about:

    We learned that to be classified an insect, a creature generally has to have six legs, an exoskeleton, and two pairs of wings.

    While all bee species are in decline, the honeybee is the poster child for bee disappearance. In reality the honeybee is an invasive species in Canada, and while useful to humans (who doesn’t love honey?) isn’t the most concerning for entomologists. The Rusty Patched Bumble Bee is a native species that was found in abundance in Ontario, but hasn’t been seen here since 2009.

    We learned about some different classifications of insects, for example that “bugs” have a sucking mouth part, like a bed bug would use to suck blood. Beetles are distinguished by their front set of wings being turned into an armoured shell. Flies are of the order Diptera, meaning “two wings”. They have two sets of wings, but only one set is functional for flying. Butterflies and moths have scaled wings, the coloured areas of their wings actually being scales. The last order of insect we talked about was that of wasps ants and bees (Hymenoptera).

    Then we got to see some live bugs, a tailless whip scorpion and some Madagascar hissing cockroaches.

    You can find out some more info on the insect collection’s website: http://www.uoguelph.ca/debu/

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    A Madagascar Hissing Cockroach (its hissing tactic worked, and scared us all!)
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    A molted exoskeleton from the Tailless Whip Scorpion (with another, full scorpion in the back being friendly)
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    Tailless Whip Scorpion meeting the class
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    The two long antennae-like things on the top of this guy are actually a pair of legs!
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    Camera set up for taking super-macro photos of specimens.
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    Illustrated bug genitalia

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  • Wolfgang Laib

    Wolfgang Laib was born in 1950 in Metzingen, Germany. Inspired by the teachings of the ancient Taoist philosopher Laozi, by the modern artist Brancusi, and the legacy of formative life experiences with his family in Germany and India, Laib creates sculptures that seem to connect that past and present, the ephemeral and the eternal. Working with perishable organic materials (pollen, milk, wood, and rice) as well as durable ones that include granite, marble, and brass, he grounds his work by his choice of forms—squares, ziggurats, and ships, among others. His painstaking collection of pollen from the wildflowers and bushes that grow in the fields near his home is integral to the process of creating work in which pollen is his medium. This he has done each year over the course of three decades. Laib’s attention to human scale, duration of time, and his choice of materials give his work the power to transport us to expected realms of memory, sensory pleasure, and contemplation.
    http://www.art21.org/artists/wolfgang-laib?expand=1

  • PICTURES

    PICTURES

    Hello Outdoor School Students!

    In light of our recent trip and the fact that the e-mail list on courselink doesn’t have everybody on it (since we’re separated into two sections), I decided to make a quick post about making your pictures bigger without making them all blurry. I know Diane said to stretch them, but that makes the quality horrible for some reason, even if your original picture was big and pretty before :O. So in case you didn’t know, there is an option to choose the size of your photo.

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    When adding media, it uploads it to a media library then you pick the photos you just uploaded, right? Well on the right side there are “attachment details” which may seem useless, I know, BUT, if you scroll down to the bottom of that little thing, you get options for the size! It usually picks thumbnail right off the bat for you, but if you just press Full Size, you should be able to get it as big as it will appear on the blog 🙂 Then you can just make it smaller if you like (or click the “small” or “medium” option)

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    Above is what you’re looking for, then just insert into post as usual 🙂 and it’s pretty!

    Anyways, I will totally delete this post later, but I thought it might be helpful with all the beautiful photos that will be coming in from everyone on our trip! Okay, that is all 🙂

    Peace out

    – Andrea

  • Kevin Murphy – New Xanadu

    Kevin Murphy – New Xanadu

    Hi everyone,

    Thanks for having me on Monday! I really enjoyed it- your class is exciting. Hopefully I’ll be able to join you again outside. I’m posting New Xanadu to your archive, together with the most recent iteration of a short statement. You’re also invited to check out the website at kevinmichaelmurphy.ca where I have this up as well as other projects. Some of them may be relevant.

    Thanks!

    Kevin

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    Modelled after 20th century utopian architectural styles, New Xanadu (2008-2012) is an eccentric but functional environment for a colony of honeybees, complete with solar-powered observation shutters and climate control. As a social insect, the European Honeybee has long been associated with collectivity, divinity, and utopia. However, these projected ideals rest uneasily alongside bees’ critical role in modern industrial agriculture, and their future against a growing host of pesticides, parasites, and diseases. A flawed utopia, New Xanadu explores our conflicted relationship with this insect; it envisions an ideal future in the anachronistic and anthropocentric terms of an artificial and already compromised past.

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    Installation photos at the UBC Botanical Garden and Centre for Plant Research, Vancouver, BC.

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