{"id":239,"date":"2016-10-14T11:14:56","date_gmt":"2016-10-14T15:14:56","guid":{"rendered":"http:\/\/experimentalstudio.ca\/foundations\/?p=239"},"modified":"2020-02-07T10:23:05","modified_gmt":"2020-02-07T15:23:05","slug":"contemporary-figure-painting","status":"publish","type":"post","link":"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/","title":{"rendered":"Looking at Contemporary Figurative Painting"},"content":{"rendered":"<p>Dana Schutz is an American artist who lives and works in Brooklyn, New York. She is best known for her humorous, gestural paintings that take on specific subjects or narrative situations as a point of departure. &#8211; <a href=\"http:\/\/brooklynrail.org\/2012\/06\/art\/dana-schutz-with-jarrett-earnest\">Jarrett Earnest<\/a><\/p>\n<figure id=\"attachment_246\" aria-describedby=\"caption-attachment-246\" style=\"width: 1000px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"246\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/ds_sneeze01_19x19_l\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/DS_Sneeze01_19x19_L.jpg?fit=1000%2C1055&amp;ssl=1\" data-orig-size=\"1000,1055\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;14&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark II&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1248100813&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;100&quot;,&quot;iso&quot;:&quot;100&quot;,&quot;shutter_speed&quot;:&quot;0.6&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"ds_sneeze01_19x19_l\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Jaclyn Conley&lt;br \/&gt;\nSneeze&lt;br \/&gt;\nOil on canvas&lt;br \/&gt;\n48.3 x 48.3 cm (19 x 19 inches)&lt;br \/&gt;\n2001&lt;br \/&gt;\nhttp:\/\/www.macm.org\/danaschutz\/wp-content\/uploads\/2015\/10\/SCH-01_00011.jpg&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/DS_Sneeze01_19x19_L.jpg?fit=971%2C1024&amp;ssl=1\" class=\"size-full wp-image-246\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/DS_Sneeze01_19x19_L.jpg?resize=1000%2C1055\" alt=\"Jaclyn Conley Sneeze Oil on canvas 48.3 x 48.3 cm (19 x 19 inches) 2001 http:\/\/www.macm.org\/danaschutz\/wp-content\/uploads\/2015\/10\/SCH-01_00011.jpg\" width=\"1000\" height=\"1055\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/DS_Sneeze01_19x19_L.jpg?w=1000&amp;ssl=1 1000w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/DS_Sneeze01_19x19_L.jpg?resize=284%2C300&amp;ssl=1 284w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/DS_Sneeze01_19x19_L.jpg?resize=768%2C810&amp;ssl=1 768w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/DS_Sneeze01_19x19_L.jpg?resize=971%2C1024&amp;ssl=1 971w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/DS_Sneeze01_19x19_L.jpg?resize=863%2C910&amp;ssl=1 863w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/DS_Sneeze01_19x19_L.jpg?resize=102%2C108&amp;ssl=1 102w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption id=\"caption-attachment-246\" class=\"wp-caption-text\">Dana Schutz<br \/>Sneeze<br \/>Oil on canvas<br \/>48.3 x 48.3 cm (19 x 19 inches)<br \/>2001<br \/>http:\/\/www.macm.org\/danaschutz\/wp-content\/uploads\/2015\/10\/SCH-01_00011.jpg<\/figcaption><\/figure>\n<p><!--more--><\/p>\n<p>Dana Schutz paintings:<\/p>\n<ul>\n<li>Expressing states not visible in photographs<\/li>\n<li>Where a surreal feeling, the absurd or extreme, is visible<\/li>\n<li>Anxieties about the body, body in space and time<\/li>\n<\/ul>\n<p>In the video she talks about humour, play, abstraction, and her relationships her subjects.<\/p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/5LpxHzalGRU?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-CA&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<p>\u00a0<\/p>\n<figure id=\"attachment_247\" aria-describedby=\"caption-attachment-247\" style=\"width: 940px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"247\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/image-7\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/image-1.jpg?fit=940%2C1194&amp;ssl=1\" data-orig-size=\"940,1194\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"image\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Dana Schutz&lt;br \/&gt;\nFace Eater&lt;br \/&gt;\n2004&lt;br \/&gt;\nOil on Canvas&lt;br \/&gt;\n58 x 46 cm&lt;br \/&gt;\nhttps:\/\/www.saatchigallery.com\/artists\/artpages\/schutz_Face_Eater.htm&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/image-1.jpg?fit=806%2C1024&amp;ssl=1\" class=\"size-full wp-image-247\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/image-1.jpg?resize=940%2C1194\" alt=\"Dana Schutz Face Eater 2004 Oil on Canvas 58 x 46 cm https:\/\/www.saatchigallery.com\/artists\/artpages\/schutz_Face_Eater.htm\" width=\"940\" height=\"1194\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/image-1.jpg?w=940&amp;ssl=1 940w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/image-1.jpg?resize=236%2C300&amp;ssl=1 236w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/image-1.jpg?resize=768%2C976&amp;ssl=1 768w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/image-1.jpg?resize=806%2C1024&amp;ssl=1 806w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/image-1.jpg?resize=863%2C1096&amp;ssl=1 863w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/image-1.jpg?resize=85%2C108&amp;ssl=1 85w\" sizes=\"auto, (max-width: 940px) 100vw, 940px\" \/><figcaption id=\"caption-attachment-247\" class=\"wp-caption-text\">Dana Schutz<br \/>Face Eater<br \/>2004<br \/>Oil on Canvas<br \/>58 x 46 cm<br \/>https:\/\/www.saatchigallery.com\/artists\/artpages\/schutz_Face_Eater.htm<\/figcaption><\/figure>\n<p>\u00a0<\/p>\n<figure id=\"attachment_257\" aria-describedby=\"caption-attachment-257\" style=\"width: 1875px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"257\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/sch-12_0161\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/SCH-12_0161.jpg?fit=1875%2C1537&amp;ssl=1\" data-orig-size=\"1875,1537\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;16&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;DM56&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1335957811&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;80&quot;,&quot;iso&quot;:&quot;100&quot;,&quot;shutter_speed&quot;:&quot;10&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"sch-12_0161\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Dana Schutz&lt;br \/&gt;\nFlasher&lt;br \/&gt;\nOil on canvas&lt;br \/&gt;\n190.5 x 223.5 cm (75 x 88 inches)&lt;br \/&gt;\n2012&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/SCH-12_0161.jpg?fit=1024%2C839&amp;ssl=1\" class=\"size-full wp-image-257\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/SCH-12_0161.jpg?resize=1875%2C1537\" alt=\"Dana Schutz Flasher Oil on canvas 190.5 x 223.5 cm (75 x 88 inches) 2012\" width=\"1875\" height=\"1537\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/SCH-12_0161.jpg?w=1875&amp;ssl=1 1875w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/SCH-12_0161.jpg?resize=300%2C246&amp;ssl=1 300w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/SCH-12_0161.jpg?resize=768%2C630&amp;ssl=1 768w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/SCH-12_0161.jpg?resize=1024%2C839&amp;ssl=1 1024w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/SCH-12_0161.jpg?resize=863%2C707&amp;ssl=1 863w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/SCH-12_0161.jpg?resize=132%2C108&amp;ssl=1 132w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption id=\"caption-attachment-257\" class=\"wp-caption-text\">Dana Schutz<br \/>Flasher<br \/>Oil on canvas<br \/>190.5 x 223.5 cm (75 x 88 inches)<br \/>2012<\/figcaption><\/figure>\n<p>&#8220;The subject to me felt like it could look \u2026 almost like a face falling in on itself, in terms of making the portrait, and I think there are these questions of how do you make this face, or what should this face be like, and I wanted it to feel like a subject that was totally being pressed up against the space of the canvas, and also maybe a slight shake to the face, in a way that they were in a very vulnerable position. And I was thinking it could feel like a shark, or the underside of a shark, a stingray, the whole painting could feel like a stingray. So those are the kinds of associations that I could think of when I was starting this painting. There are tools on the inside of the jacket \u2013 tools, usually, that are involved in the studio, I think. Like scissors, for cutting canvas.&#8221; &#8211; <a href=\"http:\/\/www.macm.org\/danaschutz\/en\/the-gallery\/flasher\/\">Dana Schutz on &#8220;Flasher&#8221;<\/a><\/p>\n<figure id=\"attachment_244\" aria-describedby=\"caption-attachment-244\" style=\"width: 1528px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"244\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/01-dana-schutz\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/01-dana-schutz.jpg?fit=1528%2C2000&amp;ssl=1\" data-orig-size=\"1528,2000\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;Jason Mandella&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"01-dana-schutz\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Dana Schutz&lt;br \/&gt;\nGetting Dressed All at Once&lt;br \/&gt;\nOil on canvas&lt;br \/&gt;\n186.7 x 142.9 cm (73,5 x 56,25 inches)&lt;br \/&gt;\n2012&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/01-dana-schutz.jpg?fit=782%2C1024&amp;ssl=1\" class=\"size-full wp-image-244\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/01-dana-schutz.jpg?resize=1528%2C2000\" alt=\"Dana Schutz Getting Dressed All at Once Oil on canvas 186.7 x 142.9 cm (73,5 x 56,25 inches) 2012\" width=\"1528\" height=\"2000\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/01-dana-schutz.jpg?w=1528&amp;ssl=1 1528w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/01-dana-schutz.jpg?resize=229%2C300&amp;ssl=1 229w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/01-dana-schutz.jpg?resize=768%2C1005&amp;ssl=1 768w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/01-dana-schutz.jpg?resize=782%2C1024&amp;ssl=1 782w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/01-dana-schutz.jpg?resize=863%2C1130&amp;ssl=1 863w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/01-dana-schutz.jpg?resize=83%2C108&amp;ssl=1 83w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption id=\"caption-attachment-244\" class=\"wp-caption-text\">Dana Schutz<br \/>Getting Dressed All at Once<br \/>Oil on canvas<br \/>186.7 x 142.9 cm (73,5 x 56,25 inches)<br \/>2012<\/figcaption><\/figure>\n<p><strong>Marlene Dumas:<\/strong><\/p>\n<p>Born in 1953 in Cape Town, South Africa, Dumas moved to the Netherlands in 1976, where she came to prominence in the mid-1980s.<\/p>\n<p>Her intense, psychologically charged works explore themes of sexuality, love, death and shame, often referencing art history, popular culture and current affairs<\/p>\n<p>&#8220;Marlene Dumas is a South African artist who now lives in Amsterdam. She is one of Holland\u2019s most prolific\u00a0artists. She creates figurative works inspired by personal memories and a diverse array of printed matter including Polaroid photographs, newspaper and magazine cuttings, letters and Flemish paintings. Previously her subjects have spanned newborn babies, models, strippers and figures from popular culture, both alive and dead. Predominantly, she works in <a href=\"http:\/\/www.tate.org.uk\/learn\/online-resources\/glossary\/o\/oil-paint\">oil<\/a> on canvas and <a href=\"http:\/\/www.tate.org.uk\/learn\/online-resources\/glossary\/i\/ink\">ink<\/a> on\u00a0paper.&#8221; &#8211; http:\/\/www.tate.org.uk\/whats-on\/tate-modern\/exhibition\/marlene-dumas-image-burden\/introduction<\/p>\n<figure id=\"attachment_269\" aria-describedby=\"caption-attachment-269\" style=\"width: 1536px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"269\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/stern-2004-by-marlene-dumas-born-1953\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/T12312_10.jpg?fit=1536%2C1315&amp;ssl=1\" data-orig-size=\"1536,1315\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;Stern 2004 Marlene Dumas born 1953 Purchased with assistance from Foundation Dutch Artworks and Bank Giro Loterij 2007 http:\/\/www.tate.org.uk\/art\/work\/T12312&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;(c) Marlene Dumas \/ Photo (c) Tate&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;Stern 2004 by Marlene Dumas born 1953&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Stern 2004 by Marlene Dumas born 1953\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Marlene Dumas&lt;br \/&gt;\nStern&lt;br \/&gt;\nOil paint on canvas&lt;br \/&gt;\n1101 x 1302 x 24 mm&lt;br \/&gt;\nhttp:\/\/www.tate.org.uk\/art\/artworks\/dumas-stern-t12312&lt;br \/&gt;\n2004 &lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/T12312_10.jpg?fit=1024%2C877&amp;ssl=1\" class=\"size-full wp-image-269\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/T12312_10.jpg?resize=1536%2C1315\" alt=\"Marlene Dumas Stern Oil paint on canvas 1101 x 1302 x 24 mm http:\/\/www.tate.org.uk\/art\/artworks\/dumas-stern-t12312 2004 \" width=\"1536\" height=\"1315\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/T12312_10.jpg?w=1536&amp;ssl=1 1536w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/T12312_10.jpg?resize=300%2C257&amp;ssl=1 300w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/T12312_10.jpg?resize=768%2C658&amp;ssl=1 768w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/T12312_10.jpg?resize=1024%2C877&amp;ssl=1 1024w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/T12312_10.jpg?resize=863%2C739&amp;ssl=1 863w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/T12312_10.jpg?resize=126%2C108&amp;ssl=1 126w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption id=\"caption-attachment-269\" class=\"wp-caption-text\">Marlene Dumas<br \/>Stern<br \/>Oil paint on canvas<br \/>1101 x 1302 x 24 mm<br \/>http:\/\/www.tate.org.uk\/art\/artworks\/dumas-stern-t12312<br \/>2004<\/figcaption><\/figure>\n<p>See Dumas talk about her relationship with her source material in her work at the\u00a0Fondation Beyeler.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/E_KniEuhrE0?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-CA&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<figure id=\"attachment_266\" aria-describedby=\"caption-attachment-266\" style=\"width: 580px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"266\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/md-1110frit06ls-amy-blue-2011-001\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/amy-blue_580.jpg?fit=580%2C784&amp;ssl=1\" data-orig-size=\"580,784\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;Ownership and usage rights reser&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;MD - 1110FRIT06LS - Amy Blue 2011 001&quot;,&quot;created_timestamp&quot;:&quot;1317912695&quot;,&quot;copyright&quot;:&quot;DELFANNE_ 2011&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;MD - 1110FRIT06LS - Amy Blue 2011 001&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"MD &amp;#8211; 1110FRIT06LS &amp;#8211; Amy Blue 2011 001\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Marlene Dumas&lt;br \/&gt;\nAmy &amp;#8211; Blue&lt;br \/&gt;\nOil on canvas&lt;br \/&gt;\n40 x 30 cm&lt;br \/&gt;\n2011&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/amy-blue_580.jpg?fit=580%2C784&amp;ssl=1\" class=\"size-full wp-image-266\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/amy-blue_580.jpg?resize=580%2C784\" alt=\"Marlene Dumas Amy - Blue Oil on canvas 40 x 30 cm 2011\" width=\"580\" height=\"784\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/amy-blue_580.jpg?w=580&amp;ssl=1 580w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/amy-blue_580.jpg?resize=222%2C300&amp;ssl=1 222w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/amy-blue_580.jpg?resize=80%2C108&amp;ssl=1 80w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><figcaption id=\"caption-attachment-266\" class=\"wp-caption-text\">Marlene Dumas<br \/>Amy &#8211; Blue<br \/>Oil on canvas<br \/>40 x 30 cm<br \/>2011<\/figcaption><\/figure>\n<p>&#8220;&#8216;Secondhand images&#8217;, she has said, &#8216;can generate first-hand emotions.&#8217; Dumas never paints directly from life, yet life in all its complexity is right there on the canvas. Her subjects are drawn from both public and personal references and include her daughter and herself, as well as recognizable faces such as Amy Winehouse, Naomi Campbell, Princess Diana, even Osama bin Laden. The results are often intimate and at times controversial, where politics become erotic and portraits become political. She plays with the imagination of her viewers, their preconceptions and fears.&#8221;<\/p>\n<figure id=\"attachment_268\" aria-describedby=\"caption-attachment-268\" style=\"width: 1280px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"268\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/marlene-duma-2-vogue-4feb15-marlene-dumas_b\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Marlene-Duma-2-Vogue-4Feb15-Marlene-Dumas_b.jpg?fit=1280%2C1920&amp;ssl=1\" data-orig-size=\"1280,1920\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"marlene-duma-2-vogue-4feb15-marlene-dumas_b\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Marlene Dumas&lt;br \/&gt;\nMomma Roma&lt;br \/&gt;\noil on canvas&lt;br \/&gt;\n2012&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Marlene-Duma-2-Vogue-4Feb15-Marlene-Dumas_b.jpg?fit=683%2C1024&amp;ssl=1\" class=\"size-full wp-image-268\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Marlene-Duma-2-Vogue-4Feb15-Marlene-Dumas_b.jpg?resize=1280%2C1920\" alt=\"Marlene Dumas Momma Roma oil on canvas 2012 \" width=\"1280\" height=\"1920\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Marlene-Duma-2-Vogue-4Feb15-Marlene-Dumas_b.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Marlene-Duma-2-Vogue-4Feb15-Marlene-Dumas_b.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Marlene-Duma-2-Vogue-4Feb15-Marlene-Dumas_b.jpg?resize=768%2C1152&amp;ssl=1 768w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Marlene-Duma-2-Vogue-4Feb15-Marlene-Dumas_b.jpg?resize=683%2C1024&amp;ssl=1 683w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Marlene-Duma-2-Vogue-4Feb15-Marlene-Dumas_b.jpg?resize=863%2C1295&amp;ssl=1 863w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Marlene-Duma-2-Vogue-4Feb15-Marlene-Dumas_b.jpg?resize=72%2C108&amp;ssl=1 72w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption id=\"caption-attachment-268\" class=\"wp-caption-text\">Marlene Dumas<br \/>Momma Roma<br \/>oil on canvas<br \/>2012<\/figcaption><\/figure>\n<ul>\n<li>She explores how paint can do things to an image<\/li>\n<li>real reverence for physicality in painting, the human touch, the hand &#8211; and it&#8217;s potency<\/li>\n<li>psychological\/emotional portraits &#8211; instead of realistic ones<\/li>\n<\/ul>\n<p>In an age dominated by the digital image and mass media, Dumas cherishes the physicality of the human touch with work that is a testament to the meaning and potency of painting.\u00a0http:\/\/www.tate.org.uk\/whats-on\/tate-modern\/exhibition\/marlene-dumas-image-burden<\/p>\n<p><strong>Jaclyn Conley is a C<\/strong><strong>anadian artist (Windsor born) living in New York.<\/strong><\/p>\n<p>Jaclyn Conley allows the viewer to get lost in these works that combine subjects such as prone figures (sleeping or recently deceased?), animals, and domestic elements that combine into an open-ended narrative.<\/p>\n<p>Her paintings tell stories that draw on personal memories and references to art history, but the exact stories are left up to the individual viewer to interpret. She works quickly on these paintings, finishing and moving on to the next one within a few days or a week, to keep her creative and emotional interest fresh. She uses rich tones and colors, but often leaves a portion of the canvas white, incorporating its luminosity into the composition.<\/p>\n<p>She says &#8220;My imagery is derived from a whole lot of different sources. A lot of my process is looking at different pictures: jpegs, photographs, all other people\u2019s photos, things that aren\u2019t my own. And pulling from them, culling from all kinds of imagery and bringing it together, in a way that invents a narrative, or changes the perceived story that I\u2019m getting in the photograph. It\u2019s taking from other people\u2019s stuff, and serving it up with some of my own stuff, making a new narrative, scenario or event. It\u2019s not fixed; it\u2019s not a specific story I\u2019m trying to tell, but creating an illusion and letting the viewer interpret things in their own way.&#8221;<\/p>\n<p>From\u00a0http:\/\/nonnativenewyork.com\/JaclynConley.html<\/p>\n<p>\u00a0<\/p>\n<figure id=\"attachment_1229\" aria-describedby=\"caption-attachment-1229\" style=\"width: 1008px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1229\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/710053_washingtonamyandrosalynn-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2019\/10\/710053_WashingtonAmyAndRosalynn-2.jpg?fit=1008%2C1003&amp;ssl=1\" data-orig-size=\"1008,1003\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;11&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1503037452&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;50&quot;,&quot;iso&quot;:&quot;100&quot;,&quot;shutter_speed&quot;:&quot;1&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"710053_WashingtonAmyAndRosalynn-2\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2019\/10\/710053_WashingtonAmyAndRosalynn-2.jpg?fit=1008%2C1003&amp;ssl=1\" class=\"wp-image-1229 size-full\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2019\/10\/710053_WashingtonAmyAndRosalynn-2.jpg?resize=1008%2C1003\" alt=\"\" width=\"1008\" height=\"1003\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2019\/10\/710053_WashingtonAmyAndRosalynn-2.jpg?w=1008&amp;ssl=1 1008w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2019\/10\/710053_WashingtonAmyAndRosalynn-2.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2019\/10\/710053_WashingtonAmyAndRosalynn-2.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2019\/10\/710053_WashingtonAmyAndRosalynn-2.jpg?resize=768%2C764&amp;ssl=1 768w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2019\/10\/710053_WashingtonAmyAndRosalynn-2.jpg?resize=863%2C859&amp;ssl=1 863w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2019\/10\/710053_WashingtonAmyAndRosalynn-2.jpg?resize=109%2C108&amp;ssl=1 109w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption id=\"caption-attachment-1229\" class=\"wp-caption-text\">Departing for Georgia 2017 30&#215;30&#8243;<\/figcaption><\/figure>\n<p>\u00a0<\/p>\n<figure id=\"attachment_1230\" aria-describedby=\"caption-attachment-1230\" style=\"width: 1008px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1230\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/708119_mexico-cityfinaljpg\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/708119_Mexico-CityFINALjpg.jpg?fit=1008%2C1008&amp;ssl=1\" data-orig-size=\"1008,1008\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;13&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1447541804&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;42&quot;,&quot;iso&quot;:&quot;100&quot;,&quot;shutter_speed&quot;:&quot;0.2&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"708119_Mexico-CityFINALjpg\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/708119_Mexico-CityFINALjpg.jpg?fit=1008%2C1008&amp;ssl=1\" class=\"wp-image-1230 size-full\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/708119_Mexico-CityFINALjpg.jpg?resize=1008%2C1008\" alt=\"\" width=\"1008\" height=\"1008\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/708119_Mexico-CityFINALjpg.jpg?w=1008&amp;ssl=1 1008w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/708119_Mexico-CityFINALjpg.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/708119_Mexico-CityFINALjpg.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/708119_Mexico-CityFINALjpg.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/708119_Mexico-CityFINALjpg.jpg?resize=863%2C863&amp;ssl=1 863w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/708119_Mexico-CityFINALjpg.jpg?resize=108%2C108&amp;ssl=1 108w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption id=\"caption-attachment-1230\" class=\"wp-caption-text\">FLOTUS Hug Mexico City 2015 oil on panel 60&#215;60&#8243;<\/figcaption><\/figure>\n<p>\u00a0<\/p>\n<figure id=\"attachment_1232\" aria-describedby=\"caption-attachment-1232\" style=\"width: 1008px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1232\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/743694_christmaspageant1\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/743694_ChristmasPageant1.jpg?fit=1008%2C1011&amp;ssl=1\" data-orig-size=\"1008,1011\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;11&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 6D Mark II&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1544064840&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;48&quot;,&quot;iso&quot;:&quot;100&quot;,&quot;shutter_speed&quot;:&quot;5&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"743694_ChristmasPageant1\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/743694_ChristmasPageant1.jpg?fit=1008%2C1011&amp;ssl=1\" class=\"wp-image-1232 size-full\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/743694_ChristmasPageant1.jpg?resize=1008%2C1011\" alt=\"\" width=\"1008\" height=\"1011\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/743694_ChristmasPageant1.jpg?w=1008&amp;ssl=1 1008w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/743694_ChristmasPageant1.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/743694_ChristmasPageant1.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/743694_ChristmasPageant1.jpg?resize=768%2C770&amp;ssl=1 768w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/743694_ChristmasPageant1.jpg?resize=863%2C866&amp;ssl=1 863w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/743694_ChristmasPageant1.jpg?resize=108%2C108&amp;ssl=1 108w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption id=\"caption-attachment-1232\" class=\"wp-caption-text\">Christmas Pageant 2018 oil on panel 60&#215;60&#8243;<\/figcaption><\/figure>\n<p>\u00a0<\/p>\n<figure id=\"attachment_1233\" aria-describedby=\"caption-attachment-1233\" style=\"width: 1008px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1233\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/708151_flotushugnew-delhi\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/708151_FLOTUSHugNew-Delhi.jpg?fit=1008%2C1010&amp;ssl=1\" data-orig-size=\"1008,1010\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;11&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS REBEL T5i&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1437300913&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;50&quot;,&quot;iso&quot;:&quot;100&quot;,&quot;shutter_speed&quot;:&quot;0.16666666666667&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"708151_FLOTUSHugNew-Delhi\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/708151_FLOTUSHugNew-Delhi.jpg?fit=1008%2C1010&amp;ssl=1\" class=\"wp-image-1233 size-full\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/708151_FLOTUSHugNew-Delhi.jpg?resize=1008%2C1010\" alt=\"\" width=\"1008\" height=\"1010\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/708151_FLOTUSHugNew-Delhi.jpg?w=1008&amp;ssl=1 1008w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/708151_FLOTUSHugNew-Delhi.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/708151_FLOTUSHugNew-Delhi.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/708151_FLOTUSHugNew-Delhi.jpg?resize=768%2C770&amp;ssl=1 768w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/708151_FLOTUSHugNew-Delhi.jpg?resize=863%2C865&amp;ssl=1 863w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/708151_FLOTUSHugNew-Delhi.jpg?resize=108%2C108&amp;ssl=1 108w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption id=\"caption-attachment-1233\" class=\"wp-caption-text\">FLOTUS Hug New Delhi 2015 oil on panel 30&#215;30&#8243;<\/figcaption><\/figure>\n<p>Jaclyn Conley&#8217;s current series is based on images sourced from the Presidential Library Archives. Here, Conley has focused on the faces of children in crowds. She crops these from photographs of large crowds at political gatherings. &#8211; <a href=\"http:\/\/thefoxisblack.com\/2014\/10\/07\/all-the-presidents-children-a-new-series-of-paintings-by-jaclyn-conley\/\">Phillip Kennedy<\/a><\/p>\n<ul>\n<li>Movement in painting<\/li>\n<li>Unifinshed parts in paintings, bringing dynamism and light<\/li>\n<li>Slippery narratives \u2013 open to interpretation<\/li>\n<li>Ambiguity in images<\/li>\n<\/ul>\n<figure id=\"attachment_254\" aria-describedby=\"caption-attachment-254\" style=\"width: 576px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"254\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/overhead\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Overhead.jpg?fit=576%2C580&amp;ssl=1\" data-orig-size=\"576,580\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;10&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS REBEL T1i&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1389954273&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;55&quot;,&quot;iso&quot;:&quot;100&quot;,&quot;shutter_speed&quot;:&quot;0.3&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"overhead\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Jaclyn Conley&lt;br \/&gt;\nOverhead&lt;br \/&gt;\noil on panel&lt;br \/&gt;\n6&amp;#215;6&amp;#8243;&lt;br \/&gt;\n2013&lt;br \/&gt;\nhttp:\/\/www.jaclynconley.com\/current_painting\/pages\/Overheard.htm&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Overhead.jpg?fit=576%2C580&amp;ssl=1\" class=\"size-full wp-image-254\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Overhead.jpg?resize=576%2C580\" alt=\"Jaclyn Conley Overhead oil on panel 6x6&quot; 2013 http:\/\/www.jaclynconley.com\/current_painting\/pages\/Overheard.htm\" width=\"576\" height=\"580\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Overhead.jpg?w=576&amp;ssl=1 576w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Overhead.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Overhead.jpg?resize=298%2C300&amp;ssl=1 298w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Overhead.jpg?resize=107%2C108&amp;ssl=1 107w\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" \/><figcaption id=\"caption-attachment-254\" class=\"wp-caption-text\">Jaclyn Conley<br \/>Overhead<br \/>oil on panel<br \/>6&#215;6&#8243;<br \/>2013<br \/>http:\/\/www.jaclynconley.com\/current_painting\/pages\/Overheard.htm<\/figcaption><\/figure>\n<p>\u00a0<\/p>\n<figure id=\"attachment_251\" aria-describedby=\"caption-attachment-251\" style=\"width: 576px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"251\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/obama_christmas\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Obama_Christmas.jpg?fit=576%2C542&amp;ssl=1\" data-orig-size=\"576,542\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;11&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS REBEL T1i&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1390148353&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;35&quot;,&quot;iso&quot;:&quot;100&quot;,&quot;shutter_speed&quot;:&quot;0.16666666666667&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"obama_christmas\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Jaclyn Conley&lt;br \/&gt;\nObama Christmas&lt;br \/&gt;\noil on panel&lt;br \/&gt;\n8&amp;#215;8&amp;#8243;&lt;br \/&gt;\n2014&lt;br \/&gt;\nhttp:\/\/www.jaclynconley.com\/current_painting\/pages\/Obama_Christmas.htm&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Obama_Christmas.jpg?fit=576%2C542&amp;ssl=1\" class=\"size-full wp-image-251\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Obama_Christmas.jpg?resize=576%2C542\" alt=\"Jaclyn Conley Obama Christmas oil on panel 8x8&quot; 2014 http:\/\/www.jaclynconley.com\/current_painting\/pages\/Obama_Christmas.htm\" width=\"576\" height=\"542\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Obama_Christmas.jpg?w=576&amp;ssl=1 576w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Obama_Christmas.jpg?resize=300%2C282&amp;ssl=1 300w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Obama_Christmas.jpg?resize=115%2C108&amp;ssl=1 115w\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" \/><figcaption id=\"caption-attachment-251\" class=\"wp-caption-text\">Jaclyn Conley<br \/>Obama Christmas<br \/>oil on panel<br \/>8&#215;8&#8243;<br \/>2014<br \/>http:\/\/www.jaclynconley.com\/current_painting\/pages\/Obama_Christmas.htm<\/figcaption><\/figure>\n<p>Kaye Donachie is a Scottish artist. Her work Epiphany is based on found images of rebellious and revolutionary groups. Donachie uses this source material to investigate group dynamics and power structures. She is fascinated by the codes of cults, communes and other non-conformist and youthful groups. She has collated a range of material that documents collectives, from the Manson family and Friedrichshof Commune to Kommune 1 and the sanatorium at Monte Verit\u00e1 in Switzerland. &#8211; <a href=\"http:\/\/www.tate.org.uk\/download\/file\/fid\/6396\">Angie MacDonald, Tate<\/a><\/p>\n<figure id=\"attachment_260\" aria-describedby=\"caption-attachment-260\" style=\"width: 1600px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"260\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/maureen-paley-kaye-donachie-artwork-the-epiphany-2002\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Maureen-Paley-Kaye-Donachie-Artwork-The-Epiphany-2002.jpg?fit=1600%2C1241&amp;ssl=1\" data-orig-size=\"1600,1241\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"maureen-paley-kaye-donachie-artwork-the-epiphany-2002\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;The Epiphany&lt;br \/&gt;\noil on linen&lt;br \/&gt;\n36 x 46 cm&lt;br \/&gt;\n2002&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Maureen-Paley-Kaye-Donachie-Artwork-The-Epiphany-2002.jpg?fit=1024%2C794&amp;ssl=1\" class=\"wp-image-260 size-full\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Maureen-Paley-Kaye-Donachie-Artwork-The-Epiphany-2002.jpg?resize=1600%2C1241\" alt=\"The Epiphany oil on linen 36 x 46 cm 2002\" width=\"1600\" height=\"1241\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Maureen-Paley-Kaye-Donachie-Artwork-The-Epiphany-2002.jpg?w=1600&amp;ssl=1 1600w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Maureen-Paley-Kaye-Donachie-Artwork-The-Epiphany-2002.jpg?resize=300%2C233&amp;ssl=1 300w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Maureen-Paley-Kaye-Donachie-Artwork-The-Epiphany-2002.jpg?resize=768%2C596&amp;ssl=1 768w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Maureen-Paley-Kaye-Donachie-Artwork-The-Epiphany-2002.jpg?resize=1024%2C794&amp;ssl=1 1024w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Maureen-Paley-Kaye-Donachie-Artwork-The-Epiphany-2002.jpg?resize=863%2C669&amp;ssl=1 863w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Maureen-Paley-Kaye-Donachie-Artwork-The-Epiphany-2002.jpg?resize=139%2C108&amp;ssl=1 139w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption id=\"caption-attachment-260\" class=\"wp-caption-text\">Kaye Donachie <br \/>The Epiphany<br \/>oil on linen<br \/>36 x 46 cm<br \/>2002<\/figcaption><\/figure>\n<div>\u00a0<\/div>\n<figure id=\"attachment_258\" aria-describedby=\"caption-attachment-258\" style=\"width: 1834px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"258\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/draft-5967ac5b-ffdc-41d5-b2fc-ee096685fe81\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/draft-5967ac5b-ffdc-41d5-b2fc-ee096685fe81.jpg?fit=1834%2C1280&amp;ssl=1\" data-orig-size=\"1834,1280\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"draft-5967ac5b-ffdc-41d5-b2fc-ee096685fe81\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Every mornin\u2019 our love is reborn&lt;br \/&gt;\noil on canvas&lt;br \/&gt;\n62.5 x 90 cm&lt;br \/&gt;\n2004&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/draft-5967ac5b-ffdc-41d5-b2fc-ee096685fe81.jpg?fit=1024%2C715&amp;ssl=1\" class=\"wp-image-258 size-full\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/draft-5967ac5b-ffdc-41d5-b2fc-ee096685fe81.jpg?resize=1834%2C1280\" alt=\"Every mornin\u2019 our love is reborn oil on canvas 62.5 x 90 cm 2004\" width=\"1834\" height=\"1280\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/draft-5967ac5b-ffdc-41d5-b2fc-ee096685fe81.jpg?w=1834&amp;ssl=1 1834w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/draft-5967ac5b-ffdc-41d5-b2fc-ee096685fe81.jpg?resize=300%2C209&amp;ssl=1 300w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/draft-5967ac5b-ffdc-41d5-b2fc-ee096685fe81.jpg?resize=768%2C536&amp;ssl=1 768w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/draft-5967ac5b-ffdc-41d5-b2fc-ee096685fe81.jpg?resize=1024%2C715&amp;ssl=1 1024w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/draft-5967ac5b-ffdc-41d5-b2fc-ee096685fe81.jpg?resize=863%2C602&amp;ssl=1 863w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/draft-5967ac5b-ffdc-41d5-b2fc-ee096685fe81.jpg?resize=155%2C108&amp;ssl=1 155w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption id=\"caption-attachment-258\" class=\"wp-caption-text\">Kaye Donachie <br \/>Every mornin\u2019 our love is reborn<br \/>oil on canvas<br \/>62.5 x 90 cm<br \/>2004<\/figcaption><\/figure>\n<p>Donachie often uses lyrics from songs as titles.<\/p>\n<ul>\n<li>Moody use of colour and light<\/li>\n<li>Spooky, spiritual, cultish scenarios<\/li>\n<li>Glowing figures, magical<\/li>\n<li>Ambiguity and soft identity<\/li>\n<li>You feel dazed and bleary &#8211; like you are on drugs or sleepy &#8211; when you look at them<\/li>\n<li>Tension between utopia and dystopia in scenarios<\/li>\n<\/ul>\n<figure id=\"attachment_259\" aria-describedby=\"caption-attachment-259\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"259\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/kayedonachie01l\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/kayedonachie01l.jpg?fit=800%2C1000&amp;ssl=1\" data-orig-size=\"800,1000\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"kayedonachie01l\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;\ufeffKaye Donachie&lt;br \/&gt;\nThis is What We are&lt;br \/&gt;\n oil on canvas&lt;br \/&gt;\n2007&lt;br \/&gt;\nhttp:\/\/www.cellprojects.org\/content\/kaye-donachie&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/kayedonachie01l.jpg?fit=800%2C1000&amp;ssl=1\" class=\"size-full wp-image-259\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/kayedonachie01l.jpg?resize=800%2C1000\" alt=\"Kaye Donachie This is What We are oil on canvas 2007 http:\/\/www.cellprojects.org\/content\/kaye-donachie\" width=\"800\" height=\"1000\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/kayedonachie01l.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/kayedonachie01l.jpg?resize=240%2C300&amp;ssl=1 240w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/kayedonachie01l.jpg?resize=768%2C960&amp;ssl=1 768w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/kayedonachie01l.jpg?resize=86%2C108&amp;ssl=1 86w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-259\" class=\"wp-caption-text\">Kaye Donachie<br \/>This is What We are<br \/>oil on canvas<br \/>2007<br \/>http:\/\/www.cellprojects.org\/content\/kaye-donachie<\/figcaption><\/figure>\n<p>&#8212;<\/p>\n<p>Micha\u00ebl Borremans is a Belgian artist. His drawings, paintings, and films present an evocative combination of solemn-looking characters, unusual close-ups, and unsettling still lifes. There is a theatrical dimension to his works, which are highly staged and ambiguous, just as his complex and open-ended scenes lend themselves to conflicting moods\u2014at once nostalgic, darkly comical, disturbing, and grotesque. <a href=\"http:\/\/www.davidzwirner.com\/artists\/michael-borremans\/biography\/\">&#8211; David Zwirner<\/a><\/p>\n<figure id=\"attachment_264\" aria-describedby=\"caption-attachment-264\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"264\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/mb2003_13-1200\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/mb2003_13-1200.jpg?fit=1200%2C884&amp;ssl=1\" data-orig-size=\"1200,884\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"mb2003_13-1200\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Micha\u00ebl Borremans&lt;br \/&gt;\nFour Fairies&lt;br \/&gt;\noil on canvas&lt;br \/&gt;\n110 x 150 x 3 cm (43 x 59 x 1 in)&lt;br \/&gt;\nhttp:\/\/start.zeno-x.com\/zeno_x_gallery\/exhibitions\/exhibitions\/2004_MB\/2004_MB_works\/slides\/MB2003_13.html&lt;br \/&gt;\n2003&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/mb2003_13-1200.jpg?fit=1024%2C754&amp;ssl=1\" class=\"wp-image-264 size-full\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/mb2003_13-1200.jpg?resize=1200%2C884\" alt=\"Micha\u00ebl Borremans Four Fairies oil on canvas 110 x 150 x 3 cm (43 x 59 x 1 in) http:\/\/start.zeno-x.com\/zeno_x_gallery\/exhibitions\/exhibitions\/2004_MB\/2004_MB_works\/slides\/MB2003_13.html 2003 \" width=\"1200\" height=\"884\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/mb2003_13-1200.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/mb2003_13-1200.jpg?resize=300%2C221&amp;ssl=1 300w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/mb2003_13-1200.jpg?resize=768%2C566&amp;ssl=1 768w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/mb2003_13-1200.jpg?resize=1024%2C754&amp;ssl=1 1024w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/mb2003_13-1200.jpg?resize=863%2C636&amp;ssl=1 863w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/mb2003_13-1200.jpg?resize=147%2C108&amp;ssl=1 147w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption id=\"caption-attachment-264\" class=\"wp-caption-text\">Micha\u00ebl Borremans<br \/>Four Fairies<br \/>oil on canvas<br \/>110 x 150 x 3 cm (43 x 59 x 1 in)<br \/>2003 http:\/\/start.zeno-x.com\/zeno_x_gallery\/exhibitions\/exhibitions\/2004_MB\/2004_MB_works\/slides\/MB2003_13.html<\/figcaption><\/figure>\n<p>-Works that draw attention to themselves as paintings, unfinished, flat<\/p>\n<p>\u00a0<\/p>\n<figure id=\"attachment_262\" aria-describedby=\"caption-attachment-262\" style=\"width: 2050px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"262\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/beard_01\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/beard_01.jpg?fit=2050%2C2500&amp;ssl=1\" data-orig-size=\"2050,2500\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;1.4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1285755081&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;85&quot;,&quot;iso&quot;:&quot;1000&quot;,&quot;shutter_speed&quot;:&quot;0.01&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"beard_01\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/beard_01.jpg?fit=840%2C1024&amp;ssl=1\" class=\"wp-image-262 size-full\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/beard_01.jpg?resize=2050%2C2500\" alt=\"beard_01\" width=\"2050\" height=\"2500\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/beard_01.jpg?w=2050&amp;ssl=1 2050w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/beard_01.jpg?resize=246%2C300&amp;ssl=1 246w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/beard_01.jpg?resize=768%2C937&amp;ssl=1 768w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/beard_01.jpg?resize=840%2C1024&amp;ssl=1 840w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/beard_01.jpg?resize=863%2C1052&amp;ssl=1 863w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/beard_01.jpg?resize=89%2C108&amp;ssl=1 89w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/beard_01.jpg?w=2000 2000w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption id=\"caption-attachment-262\" class=\"wp-caption-text\">Micha\u00ebl Borremans, Eating the Beard Oil on canvas 2010 http:\/\/www.wkv-stuttgart.de\/presse\/2011\/pressebilder\/borremans\/<\/figcaption><\/figure>\n<p>\u00a0<\/p>\n<figure id=\"attachment_261\" aria-describedby=\"caption-attachment-261\" style=\"width: 806px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"261\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/michael-borremans-peinture-portrait-belgium-realisme-velazquez-824-806x1024\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/michael-borremans-peinture-portrait-belgium-realisme-velazquez.824-806x1024.jpg?fit=806%2C1024&amp;ssl=1\" data-orig-size=\"806,1024\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"michael-borremans-peinture-portrait-belgium-realisme-velazquez-824-806&amp;#215;1024\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/michael-borremans-peinture-portrait-belgium-realisme-velazquez.824-806x1024.jpg?fit=806%2C1024&amp;ssl=1\" class=\"wp-image-261 size-full\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/michael-borremans-peinture-portrait-belgium-realisme-velazquez.824-806x1024.jpg?resize=806%2C1024\" alt=\"michael-borremans-peinture-portrait-belgium-realisme-velazquez-824-806x1024\" width=\"806\" height=\"1024\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/michael-borremans-peinture-portrait-belgium-realisme-velazquez.824-806x1024.jpg?resize=806%2C1024&amp;ssl=1 806w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/michael-borremans-peinture-portrait-belgium-realisme-velazquez.824-806x1024.jpg?resize=236%2C300&amp;ssl=1 236w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/michael-borremans-peinture-portrait-belgium-realisme-velazquez.824-806x1024.jpg?resize=768%2C976&amp;ssl=1 768w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/michael-borremans-peinture-portrait-belgium-realisme-velazquez.824-806x1024.jpg?resize=85%2C108&amp;ssl=1 85w\" sizes=\"auto, (max-width: 806px) 100vw, 806px\" \/><figcaption id=\"caption-attachment-261\" class=\"wp-caption-text\">Micha\u00ebl Borremans, <em>Mombakkes I,<\/em> Oil on canvas 56,5 x 44,5 cm 2007 http:\/\/www.zeno-x.com\/artist\/MB\/michael_borremans.html<\/figcaption><\/figure>\n<p>Works that are theatrical, exaggerating psychological features<\/p>\n<figure id=\"attachment_396\" aria-describedby=\"caption-attachment-396\" style=\"width: 970px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"396\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/mb2008_29\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/2008-BORMI0070-300.jpg?fit=970%2C768&amp;ssl=1\" data-orig-size=\"970,768\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;Micha\\u00ebl Borremans&quot;,&quot;camera&quot;:&quot;Sinarback eVolution 75, Sinar p3 \/ f3&quot;,&quot;caption&quot;:&quot;The Load&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;Micha\\u00ebl Borremans\\rCourtesy Zeno X Gallery - Antwerp&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;MB2008_29&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"MB2008_29\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;The Load&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/2008-BORMI0070-300.jpg?fit=970%2C768&amp;ssl=1\" class=\"size-full wp-image-396\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/2008-BORMI0070-300.jpg?resize=970%2C768\" alt=\"The Load\" width=\"970\" height=\"768\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/2008-BORMI0070-300.jpg?w=970&amp;ssl=1 970w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/2008-BORMI0070-300.jpg?resize=300%2C238&amp;ssl=1 300w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/2008-BORMI0070-300.jpg?resize=768%2C608&amp;ssl=1 768w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/2008-BORMI0070-300.jpg?resize=863%2C683&amp;ssl=1 863w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/2008-BORMI0070-300.jpg?resize=136%2C108&amp;ssl=1 136w\" sizes=\"auto, (max-width: 970px) 100vw, 970px\" \/><figcaption id=\"caption-attachment-396\" class=\"wp-caption-text\"><em>The Load<\/em>, 2008,\u00a0Oil on canvas \u00a015 3\/4 x 19 5\/8 inches (40 x 49.8 cm)<\/figcaption><\/figure>\n<p><strong>Gerhard Richter<\/strong> was interested in the dialectic between objectivity and subjectivity that painting from photographs engenders. &#8220;When I paint from a photograph, conscious thinking is eliminated,&#8221; Richter mused in his personal writings of 1964-5. &#8220;The photograph is the most perfect picture. It does not change; it is absolute, and therefore autonomous, unconditional, devoid of style. Both in its way of informing, and in what it informs of, it is my source.&#8221; &#8211;<a href=\"https:\/\/www.gerhard-richter.com\/en\/biography\/19641970-getting-established-5\">Gerhard-richter.com<\/a><\/p>\n<p>\u00a0<\/p>\n<figure id=\"attachment_302\" aria-describedby=\"caption-attachment-302\" style=\"width: 710px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"302\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/attachment\/3651\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/3651.jpg?fit=470%2C673&amp;ssl=1\" data-orig-size=\"470,673\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"3651\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Gerhard Richter&lt;br \/&gt;\nBetty&lt;br \/&gt;\nOil on Canvas&lt;br \/&gt;\n102 cm x 72 cm&lt;br \/&gt;\n1988 &lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/3651.jpg?fit=470%2C673&amp;ssl=1\" class=\" wp-image-302\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/3651.jpg?resize=710%2C1016\" alt=\"Gerhard Richter Betty Oil on Canvas 102 cm x 72 cm 1988 \" width=\"710\" height=\"1016\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/3651.jpg?w=470&amp;ssl=1 470w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/3651.jpg?resize=210%2C300&amp;ssl=1 210w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/3651.jpg?resize=75%2C108&amp;ssl=1 75w\" sizes=\"auto, (max-width: 710px) 100vw, 710px\" \/><figcaption id=\"caption-attachment-302\" class=\"wp-caption-text\">Gerhard Richter<br \/>Betty<br \/>Oil on Canvas<br \/>102 cm x 72 cm<br \/>1988<\/figcaption><\/figure>\n<p>Nearly all of Richter&#8217;s work demonstrates both <a title=\"Illusionism (art)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Illusionism_(art)\">illusionistic<\/a> space that seems natural and the physical activity and material of painting\u2014as mutual interferences. For Richter, reality is the combination of new attempts to understand\u2014to <i>represent<\/i>; in his case, to <i>paint<\/i>\u2014the world surrounding us. He says\u00a0&#8220;I blur things to make everything equally important and equally unimportant. I blur things so that they do not look artistic or craftsmanlike but technological, smooth and perfect. I blur things to make all the parts a closer fit. Perhaps I also blur out the excess of unimportant information.&#8221;<sup id=\"cite_ref-Richter.2C_Gerhard_1995_19-2\" class=\"reference\"><a href=\"https:\/\/en.wikipedia.org\/wiki\/Gerhard_Richter#cite_note-Richter.2C_Gerhard_1995-19\">[19]<\/a><\/sup><\/p>\n<p>Many of these paintings are made in a multi-step process of representations. He starts with a <a title=\"Photograph\" href=\"https:\/\/en.wikipedia.org\/wiki\/Photograph\">photograph<\/a>, which he has found or taken himself, and projects it onto his <a title=\"Canvas\" href=\"https:\/\/en.wikipedia.org\/wiki\/Canvas\">canvas<\/a>, where he traces it for exact form. Taking his color palette from the photograph, he paints to replicate the look of the original picture. His hallmark &#8220;blur&#8221; is achieved sometimes with a light touch of a soft brush, sometimes a hard smear by an aggressive pull with a squeegee. From\u00a0https:\/\/en.wikipedia.org\/wiki\/Gerhard_Richter<\/p>\n<p>\u00a0<\/p>\n<p class=\"p-painting-info-medium \">\u00a0 \u00a0<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"403\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/attachment\/2699\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/2699.jpg?fit=673%2C504&amp;ssl=1\" data-orig-size=\"673,504\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"2699\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/2699.jpg?fit=673%2C504&amp;ssl=1\" class=\"alignnone wp-image-403\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/2699.jpg?resize=808%2C606\" alt=\"2699\" width=\"808\" height=\"606\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/2699.jpg?w=673&amp;ssl=1 673w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/2699.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/2699.jpg?resize=144%2C108&amp;ssl=1 144w\" sizes=\"auto, (max-width: 808px) 100vw, 808px\" \/><\/p>\n<p class=\"p-painting-info-medium \"><span class=\"span-painting-title2\">Sailors, oil on canvas,\u00a0<\/span><span class=\"span-painting-info-year\">1966<\/span> <span class=\"span-painting-info-size\">150 cm x 200 cm<\/span> <span class=\"span-painting-info-crnumber\">Catalogue Raisonn\u00e9: 126<\/span><\/p>\n<p class=\"p-painting-info-medium \">This painting depicts seven men in sailor\u2019s uniforms, facing the viewer. Five of the men are shown standing while two further men are kneeling in front of them. Executed in a monochrome palette, its blurred contours give the painting the appearance of an out-of-focus photograph in which the motif seems to elude the viewer. About this at-the-time characteristic blurring in his paintings Richter asserts: \u201cI blur things to make everything equally important and equally unimportant.\u201d<span style=\"font-size: 13.5135px;\">\u00a0From\u00a0https:\/\/www.gerhard-richter.com\/en\/exhibitions\/gerhard-richter-40-years-of-painting-36\/<\/span><\/p>\n<p class=\"p-painting-info-medium \"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"416\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/attachment\/9130\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/9130.jpg?fit=425%2C673&amp;ssl=1\" data-orig-size=\"425,673\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"9130\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/9130.jpg?fit=425%2C673&amp;ssl=1\" class=\"alignnone wp-image-416\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/9130.jpg?resize=689%2C1091\" alt=\"9130\" width=\"689\" height=\"1091\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/9130.jpg?w=425&amp;ssl=1 425w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/9130.jpg?resize=189%2C300&amp;ssl=1 189w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/9130.jpg?resize=68%2C108&amp;ssl=1 68w\" sizes=\"auto, (max-width: 689px) 100vw, 689px\" \/><\/p>\n<p class=\"p-painting-info-medium \"><span class=\"span-painting-title1\">Frau, die Treppe herabgehend<\/span><br \/><span class=\"span-painting-title2\">Woman Descending the Staircase\u00a0<\/span><span class=\"span-painting-info-year\">1965<\/span> <span class=\"span-painting-info-size\">198 cm x 128 cm<\/span> <span class=\"span-painting-info-crnumber\">Catalogue Raisonn\u00e9: 92\u00a0<\/span>Oil on canvas<\/p>\n<p>_<\/p>\n<p>Luc Tuymans&#8217; works are quiet, restrained, and at times unsettling, his works engage equally with questions of history and its representation as with quotidian subject matter cast in unfamiliar and eerie light. Painted from pre-existing imagery, they often appear slightly out-of-focus and sparsely colored, like third-degree abstractions from reality.-<a href=\"http:\/\/www.davidzwirner.com\/artists\/luc-tuymans\/biography\/\">David Zwirner<\/a><\/p>\n<figure id=\"attachment_270\" aria-describedby=\"caption-attachment-270\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"270\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/6_tuymans_lumumba\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/6_Tuymans_Lumumba.jpg?fit=1200%2C1854&amp;ssl=1\" data-orig-size=\"1200,1854\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Exp10000XL&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"6_tuymans_lumumba\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Luc Tuymans&lt;br \/&gt;\nLumumba&lt;br \/&gt;\n2000&lt;br \/&gt;\noil on canvas&lt;br \/&gt;\n62 x 46 cm (24.5 x 18 in)&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/6_Tuymans_Lumumba.jpg?fit=663%2C1024&amp;ssl=1\" class=\"wp-image-270 size-full\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/6_Tuymans_Lumumba.jpg?resize=1200%2C1854\" alt=\"Luc Tuymans Lumumba 2000 oil on canvas 62 x 46 cm (24.5 x 18 in)\" width=\"1200\" height=\"1854\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/6_Tuymans_Lumumba.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/6_Tuymans_Lumumba.jpg?resize=194%2C300&amp;ssl=1 194w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/6_Tuymans_Lumumba.jpg?resize=768%2C1187&amp;ssl=1 768w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/6_Tuymans_Lumumba.jpg?resize=663%2C1024&amp;ssl=1 663w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/6_Tuymans_Lumumba.jpg?resize=863%2C1333&amp;ssl=1 863w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/6_Tuymans_Lumumba.jpg?resize=70%2C108&amp;ssl=1 70w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption id=\"caption-attachment-270\" class=\"wp-caption-text\">Luc Tuymans<br \/>Lumumba<br \/>2000<br \/>oil on canvas<br \/>62 x 46 cm (24.5 x 18 in) http:\/\/www.davidzwirner.com\/artists\/luc-tuymans\/survey\/image\/page\/53\/<\/figcaption><\/figure>\n<p><b>Patrice \u00c9mery Lumumba<\/b> \u00a0was a Congolese independence leader and the first democratically elected prime minister of Congo. Lumumba played an important role for his country to be granted independence from\u00a0<a title=\"Belgium\" href=\"https:\/\/en.wikipedia.org\/wiki\/Belgium\">Belgium<\/a>, as a founder and leader of the mainstream\u00a0<i><a title=\"Mouvement National Congolais\" href=\"https:\/\/en.wikipedia.org\/wiki\/Mouvement_National_Congolais\">Mouvement National Congolais<\/a><\/i> (MNC) party<\/p>\n<p>Shortly after Congolese independence in 1960, a mutiny broke out in the army, marking the beginning of the\u00a0<a title=\"Congo Crisis\" href=\"https:\/\/en.wikipedia.org\/wiki\/Congo_Crisis\">Congo Crisis<\/a>. Lumumba appealed to the\u00a0<a title=\"United States\" href=\"https:\/\/en.wikipedia.org\/wiki\/United_States\">United States<\/a>\u00a0and the\u00a0<a title=\"United Nations\" href=\"https:\/\/en.wikipedia.org\/wiki\/United_Nations\">United Nations<\/a>\u00a0for assistance to suppress the Belgian-supported\u00a0<a title=\"State of Katanga\" href=\"https:\/\/en.wikipedia.org\/wiki\/State_of_Katanga\">Katangan secessionists<\/a>. Both parties refused, so Lumumba turned to the Soviet Union for support. This led to growing differences with President\u00a0<a title=\"Joseph Kasa-Vubu\" href=\"https:\/\/en.wikipedia.org\/wiki\/Joseph_Kasa-Vubu\">Joseph Kasa-Vubu<\/a>\u00a0and chief-of-staff\u00a0<a title=\"Mobutu Sese Seko\" href=\"https:\/\/en.wikipedia.org\/wiki\/Mobutu_Sese_Seko\">Joseph-D\u00e9sir\u00e9 Mobutu<\/a>, as well as the foreign opposition of the United States and\u00a0<a title=\"Belgium\" href=\"https:\/\/en.wikipedia.org\/wiki\/Belgium\">Belgium<\/a>. Lumumba was subsequently imprisoned by state authorities under Mobutu and executed by a firing squad under the command of Katangan authorities. Following his death, he was widely seen as a martyr for the wider Pan-African movement. From https:\/\/en.wikipedia.org\/wiki\/Patrice_Lumumba)<\/p>\n<p>\u00a0<\/p>\n<figure id=\"attachment_375\" aria-describedby=\"caption-attachment-375\" style=\"width: 1023px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"375\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/lt1992_11\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/8f8d5dc51a2fd7443b4eef07894ca1e7.jpg?fit=1023%2C1400&amp;ssl=1\" data-orig-size=\"1023,1400\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;Luc Tuymans&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;Der Diagnostische Blick V&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;Luc Tuymans\\rCourtesy Zeno X Gallery - Antwerpen&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;LT1992_11&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"LT1992_11\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Luc Tuymans, Der diagnostische Blick V (The Diagnostic View V), 1992; oil on canvas; 58.1 x 41.9 cm&lt;br \/&gt;\nhttp:\/\/arttattler.com\/archiveluctuymans.html&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/8f8d5dc51a2fd7443b4eef07894ca1e7.jpg?fit=748%2C1024&amp;ssl=1\" class=\"size-full wp-image-375\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/8f8d5dc51a2fd7443b4eef07894ca1e7.jpg?resize=1023%2C1400\" alt=\"Luc Tuymans, Der diagnostische Blick V (The Diagnostic View V), 1992; oil on canvas; 58.1 x 41.9 cm http:\/\/arttattler.com\/archiveluctuymans.html\" width=\"1023\" height=\"1400\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/8f8d5dc51a2fd7443b4eef07894ca1e7.jpg?w=1023&amp;ssl=1 1023w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/8f8d5dc51a2fd7443b4eef07894ca1e7.jpg?resize=219%2C300&amp;ssl=1 219w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/8f8d5dc51a2fd7443b4eef07894ca1e7.jpg?resize=768%2C1052&amp;ssl=1 768w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/8f8d5dc51a2fd7443b4eef07894ca1e7.jpg?resize=748%2C1024&amp;ssl=1 748w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/8f8d5dc51a2fd7443b4eef07894ca1e7.jpg?resize=863%2C1182&amp;ssl=1 863w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/8f8d5dc51a2fd7443b4eef07894ca1e7.jpg?resize=79%2C108&amp;ssl=1 79w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption id=\"caption-attachment-375\" class=\"wp-caption-text\">Luc Tuymans, Der diagnostische Blick V (The Diagnostic View V), 1992; oil on canvas; 58.1 x 41.9 cm<br \/>http:\/\/arttattler.com\/archiveluctuymans.html<\/figcaption><\/figure>\n<p>In the video Tuymans talks about his family history, our relationships to photogrpahy, the media, and our fallible memories.<\/p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/2G1c9mWBRqE?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-CA&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<p>Elizabeth Peyton:<\/p>\n<p>Peyton treats the subjects of her portraits with a distinctive intimacy, whether they are friends, historical icons, or famous musicians. Her ever-expanding repertoire of recurring subjects includes Kurt Cobain, Andy Warhol, Napoleon Bonaparte, Queen Elizabeth II, Piotr Uklanski, and David Hockney, among many others. She paints from both life and from varied source material like found photographs, film stills, famous paintings, or mass media images. Her portraits, lovingly created with gestural brushstrokes of diluted oil paint, investigate how art and mass media affect the viewer&#8217;s emotional and intellectual response to the person depicted.- https:\/\/www.guggenheim.org\/artwork\/artist\/elizabeth-peyton<\/p>\n<figure id=\"attachment_283\" aria-describedby=\"caption-attachment-283\" style=\"width: 2237px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"283\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/2013-06-18-img_7185mediumres-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/2013-06-18-IMG_7185mediumres-2.jpg?fit=2237%2C2537&amp;ssl=1\" data-orig-size=\"2237,2537\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;7.1&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark II&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1370902078&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;80&quot;,&quot;iso&quot;:&quot;100&quot;,&quot;shutter_speed&quot;:&quot;0.125&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"2013-06-18-img_7185mediumres-2\" data-image-description=\"&lt;p&gt;David Bowie&lt;br \/&gt;\nOil on aluminum veneered panel&lt;br \/&gt;\n14 x 11 1\/4 inches&lt;br \/&gt;\n(35.6 x 28.6 cm)&lt;br \/&gt;\n2012&lt;br \/&gt;\nhttp:\/\/www.gladstonegallery.com\/artist\/elizabeth-peyton\/work\/fullscreen#&amp;amp;panel1-1&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Elizabeth Peyton, Never Say Never (Justin)&lt;br \/&gt;\noil on wood veneered aluminum&lt;br \/&gt;\n29.2 x 22.9 cm \/ 11.5 x 9 in&lt;br \/&gt;\n2013&lt;br \/&gt;\nhttp:\/\/www.huffingtonpost.com\/2013\/06\/18\/justin-bieber-painting-elizabeth-peyton-at-art-basel_n_3454489.html&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/2013-06-18-IMG_7185mediumres-2.jpg?fit=903%2C1024&amp;ssl=1\" class=\"size-full wp-image-283\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/2013-06-18-IMG_7185mediumres-2.jpg?resize=2237%2C2537\" alt=\"Elizabeth Peyton, Never Say Never (Justin) oil on wood veneered aluminum 29.2 x 22.9 cm \/ 11.5 x 9 in 2013 http:\/\/www.huffingtonpost.com\/2013\/06\/18\/justin-bieber-painting-elizabeth-peyton-at-art-basel_n_3454489.html\" width=\"2237\" height=\"2537\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/2013-06-18-IMG_7185mediumres-2.jpg?w=2237&amp;ssl=1 2237w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/2013-06-18-IMG_7185mediumres-2.jpg?resize=265%2C300&amp;ssl=1 265w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/2013-06-18-IMG_7185mediumres-2.jpg?resize=768%2C871&amp;ssl=1 768w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/2013-06-18-IMG_7185mediumres-2.jpg?resize=903%2C1024&amp;ssl=1 903w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/2013-06-18-IMG_7185mediumres-2.jpg?resize=863%2C979&amp;ssl=1 863w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/2013-06-18-IMG_7185mediumres-2.jpg?resize=95%2C108&amp;ssl=1 95w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/2013-06-18-IMG_7185mediumres-2.jpg?w=2000 2000w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption id=\"caption-attachment-283\" class=\"wp-caption-text\">Elizabeth Peyton, Never Say Never (Justin)<br \/>oil on wood veneered aluminum<br \/>29.2 x 22.9 cm \/ 11.5 x 9 in<br \/>2013<br \/>http:\/\/www.huffingtonpost.com\/2013\/06\/18\/justin-bieber-painting-elizabeth-peyton-at-art-basel_n_3454489.html<\/figcaption><\/figure>\n<figure id=\"attachment_284\" aria-describedby=\"caption-attachment-284\" style=\"width: 1772px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"284\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/ep-1252-0000\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/45663ada441bf9720e80ed0c924e67eb.jpg?fit=1772%2C2048&amp;ssl=1\" data-orig-size=\"1772,2048\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;16&quot;,&quot;credit&quot;:&quot;EPW Studio&quot;,&quot;camera&quot;:&quot;Hasselblad CF528-39 - Hasselblad H Series&quot;,&quot;caption&quot;:&quot;EP 1252 0000&quot;,&quot;created_timestamp&quot;:&quot;1332892800&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;80&quot;,&quot;iso&quot;:&quot;50&quot;,&quot;shutter_speed&quot;:&quot;2.5&quot;,&quot;title&quot;:&quot;EP 1252 0000&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"EP 1252 0000\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;EP 1252 0000&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/45663ada441bf9720e80ed0c924e67eb.jpg?fit=886%2C1024&amp;ssl=1\" class=\"wp-image-284 size-full\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/45663ada441bf9720e80ed0c924e67eb.jpg?resize=1772%2C2048\" alt=\"EP 1252 0000\" width=\"1772\" height=\"2048\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/45663ada441bf9720e80ed0c924e67eb.jpg?w=1772&amp;ssl=1 1772w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/45663ada441bf9720e80ed0c924e67eb.jpg?resize=260%2C300&amp;ssl=1 260w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/45663ada441bf9720e80ed0c924e67eb.jpg?resize=768%2C888&amp;ssl=1 768w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/45663ada441bf9720e80ed0c924e67eb.jpg?resize=886%2C1024&amp;ssl=1 886w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/45663ada441bf9720e80ed0c924e67eb.jpg?resize=863%2C997&amp;ssl=1 863w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/45663ada441bf9720e80ed0c924e67eb.jpg?resize=93%2C108&amp;ssl=1 93w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption id=\"caption-attachment-284\" class=\"wp-caption-text\">Elizabeth Peyton David Bowie Oil on aluminum veneered panel 14 x 11 1\/4 inches (35.6 x 28.6 cm) 2012 http:\/\/www.gladstonegallery.com\/artist\/elizabeth-peyton\/work#&amp;panel1-1<\/figcaption><\/figure>\n<figure id=\"attachment_285\" aria-describedby=\"caption-attachment-285\" style=\"width: 1743px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"285\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/kurt_small\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Kurt_small.jpg?fit=1743%2C2209&amp;ssl=1\" data-orig-size=\"1743,2209\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"kurt_small\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Elizabeth Peyton&lt;br \/&gt;\nKurt&lt;br \/&gt;\nOil on board&lt;br \/&gt;\n10 x 8 in&lt;br \/&gt;\n1995&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Kurt_small.jpg?fit=808%2C1024&amp;ssl=1\" class=\"size-full wp-image-285\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Kurt_small.jpg?resize=1743%2C2209\" alt=\"Elizabeth Peyton Kurt Oil on board 10 x 8 in 1995\" width=\"1743\" height=\"2209\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Kurt_small.jpg?w=1743&amp;ssl=1 1743w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Kurt_small.jpg?resize=237%2C300&amp;ssl=1 237w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Kurt_small.jpg?resize=768%2C973&amp;ssl=1 768w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Kurt_small.jpg?resize=808%2C1024&amp;ssl=1 808w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Kurt_small.jpg?resize=863%2C1094&amp;ssl=1 863w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/09\/Kurt_small.jpg?resize=85%2C108&amp;ssl=1 85w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption id=\"caption-attachment-285\" class=\"wp-caption-text\">Elizabeth Peyton<br \/>Kurt<br \/>Oil on board<br \/>10 x 8 in<br \/>1995<\/figcaption><\/figure>\n<p>___<\/p>\n<p>Njideka Akunyili Crosby(Nigerian American artist)\u00a0creates vibrant paintings that weave together personal and cultural narratives drawn from her experience. She uses an array of materials and techniques in each of her autobiographical works. Collage and photo-transfer provide texture and complexity to the surface of each composition in which photographs from family albums mingle with images from popular Nigerian lifestyle magazines. This varied and inventive use of media serves as a visual metaphor for the intersection of cultures as well as the artist\u2019s own hybrid identity.<\/p>\n<p>-http:\/\/newsdesk.si.edu\/releases\/njideka-akunyili-crosby-2014-winner-smithsonian-american-art-museum-s-james-dicke-contempor<\/p>\n<figure id=\"attachment_357\" aria-describedby=\"caption-attachment-357\" style=\"width: 1400px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"357\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/billboard_na_crosby_beforenowafter_2340\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/billboard_na_crosby_beforenowafter_2340.jpg?fit=1400%2C821&amp;ssl=1\" data-orig-size=\"1400,821\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"billboard_na_crosby_beforenowafter_2340\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Njideka Akunyili Crosby (b. 1983), Before Now After (Mama, Mummy and Mamma), 2015.&lt;br \/&gt;\nhttp:\/\/whitney.org\/Exhibitions\/NjidekaAkunyiliCrosby&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/billboard_na_crosby_beforenowafter_2340.jpg?fit=1024%2C600&amp;ssl=1\" class=\"size-full wp-image-357\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/billboard_na_crosby_beforenowafter_2340.jpg?resize=1400%2C821\" alt=\"Njideka Akunyili Crosby (b. 1983), Before Now After (Mama, Mummy and Mamma), 2015. http:\/\/whitney.org\/Exhibitions\/NjidekaAkunyiliCrosby\" width=\"1400\" height=\"821\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/billboard_na_crosby_beforenowafter_2340.jpg?w=1400&amp;ssl=1 1400w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/billboard_na_crosby_beforenowafter_2340.jpg?resize=300%2C176&amp;ssl=1 300w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/billboard_na_crosby_beforenowafter_2340.jpg?resize=768%2C450&amp;ssl=1 768w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/billboard_na_crosby_beforenowafter_2340.jpg?resize=1024%2C600&amp;ssl=1 1024w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/billboard_na_crosby_beforenowafter_2340.jpg?resize=863%2C506&amp;ssl=1 863w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/billboard_na_crosby_beforenowafter_2340.jpg?resize=184%2C108&amp;ssl=1 184w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption id=\"caption-attachment-357\" class=\"wp-caption-text\">Njideka Akunyili Crosby (b. 1983), Before Now After (Mama, Mummy and Mamma), 2015.<br \/>http:\/\/whitney.org\/Exhibitions\/NjidekaAkunyiliCrosby<\/figcaption><\/figure>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/UeYP8ssD_BM?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-CA&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>\u00a0<\/p>\n<figure id=\"attachment_362\" aria-describedby=\"caption-attachment-362\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"362\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/beautyful-ones-series-2-800x1152\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/Beautyful-Ones-series-2-800x1152.jpg?fit=800%2C1152&amp;ssl=1\" data-orig-size=\"800,1152\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"beautyful-ones-series-2-800&amp;#215;1152\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;\u201cThe Beautyful Ones\u201d Series #2&lt;br \/&gt;\n2013&lt;br \/&gt;\nAcrylic, color pencils, pastels and transfers on paper&lt;br \/&gt;\n 5.1 ft. \u00d7 3.5 ft.&lt;br \/&gt;\nhttp:\/\/njidekaakunyili.com\/work\/the-beautyful-ones-series-1-2&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/Beautyful-Ones-series-2-800x1152.jpg?fit=711%2C1024&amp;ssl=1\" class=\"size-full wp-image-362\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/Beautyful-Ones-series-2-800x1152.jpg?resize=800%2C1152\" alt=\"\u201cThe Beautyful Ones\u201d Series #2 2013 Acrylic, color pencils, pastels and transfers on paper 5.1 ft. \u00d7 3.5 ft. http:\/\/njidekaakunyili.com\/work\/the-beautyful-ones-series-1-2 \" width=\"800\" height=\"1152\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/Beautyful-Ones-series-2-800x1152.jpg?resize=800%2C1152&amp;ssl=1 800w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/Beautyful-Ones-series-2-800x1152.jpg?resize=208%2C300&amp;ssl=1 208w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/Beautyful-Ones-series-2-800x1152.jpg?resize=768%2C1106&amp;ssl=1 768w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/Beautyful-Ones-series-2-800x1152.jpg?resize=711%2C1024&amp;ssl=1 711w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/Beautyful-Ones-series-2-800x1152.jpg?resize=75%2C108&amp;ssl=1 75w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-362\" class=\"wp-caption-text\">\u201cThe Beautyful Ones\u201d Series #2<br \/>2013<br \/>Acrylic, color pencils, pastels and transfers on paper<br \/>5.1 ft. \u00d7 3.5 ft.<br \/>http:\/\/njidekaakunyili.com\/work\/the-beautyful-ones-series-1-2<\/figcaption><\/figure>\n<p><em>\u201cMy art addresses my internal tension between my deep love for Nigeria, my country of birth, and my strong appreciation for Western culture, which has profoundly influenced both my life and my art. I use my art as a way to negotiate my seemingly contradictory loyalties to both my cherished Nigerian culture that is currently eroding and to my white American husband. Most of the Nigerian traditions I experienced growing up are quickly disappearing due to the permeation of Western culture and the ensuing opinion that being \u201dtoo Nigerian\u201d is uncool. I feel dismayed by Nigerians\u2019 unquestioningly valuing anything Western as superior however, my awareness of this problem does not exempt me from it \u2013 indeed, I question whether this mentality played a part in my falling in love with my husband. My art serves as a vehicle through which I explore my conflicted allegiance to two separate cultures.\u201d <\/em>Njideka Akunyili https:\/\/chikaoduahblog.com\/2012\/10\/19\/njideka-akunyili-a-nigerian-visual-artist\/<\/p>\n<figure id=\"attachment_361\" aria-describedby=\"caption-attachment-361\" style=\"width: 1400px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"361\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/crosby_njideka-akunyili_1\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/Crosby_Njideka-Akunyili_1.jpg?fit=1400%2C1019&amp;ssl=1\" data-orig-size=\"1400,1019\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;marc bernier&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"crosby_njideka-akunyili_1\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Njideka Akunyili Crosby, Nwantinti, 2012, acrylic, charcoal, colored pencil, collage and transfers on paper.&lt;br \/&gt;\nhttp:\/\/newsdesk.si.edu\/photos\/njideka-akunyili-crosby-nwantinti&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/Crosby_Njideka-Akunyili_1.jpg?fit=1024%2C746&amp;ssl=1\" class=\"size-full wp-image-361\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/Crosby_Njideka-Akunyili_1.jpg?resize=1400%2C1019\" alt=\"Njideka Akunyili Crosby, Nwantinti, 2012, acrylic, charcoal, colored pencil, collage and transfers on paper. http:\/\/newsdesk.si.edu\/photos\/njideka-akunyili-crosby-nwantinti\" width=\"1400\" height=\"1019\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/Crosby_Njideka-Akunyili_1.jpg?w=1400&amp;ssl=1 1400w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/Crosby_Njideka-Akunyili_1.jpg?resize=300%2C218&amp;ssl=1 300w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/Crosby_Njideka-Akunyili_1.jpg?resize=768%2C559&amp;ssl=1 768w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/Crosby_Njideka-Akunyili_1.jpg?resize=1024%2C746&amp;ssl=1 1024w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/Crosby_Njideka-Akunyili_1.jpg?resize=863%2C628&amp;ssl=1 863w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/Crosby_Njideka-Akunyili_1.jpg?resize=148%2C108&amp;ssl=1 148w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption id=\"caption-attachment-361\" class=\"wp-caption-text\">Njideka Akunyili Crosby, Nwantinti, 2012, acrylic, charcoal, colored pencil, collage and transfers on paper.<br \/>http:\/\/newsdesk.si.edu\/photos\/njideka-akunyili-crosby-nwantinti<\/figcaption><\/figure>\n<p>\u00a0<\/p>\n<figure id=\"attachment_363\" aria-describedby=\"caption-attachment-363\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"363\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/njideka-akunyili-the-bridge\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/njideka-akunyili-the-bridge.jpg?fit=800%2C613&amp;ssl=1\" data-orig-size=\"800,613\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"njideka-akunyili-the-bridge\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;The Bridge&lt;br \/&gt;\n2010&lt;br \/&gt;\nCharcoal, ink, acrylic, xerox transfers, lace and paper collage on paper&lt;br \/&gt;\n5 ft. \u00d7 7 ft.&lt;br \/&gt;\nhttp:\/\/njidekaakunyili.com\/work\/the-bridge&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/njideka-akunyili-the-bridge.jpg?fit=800%2C613&amp;ssl=1\" class=\"size-full wp-image-363\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/njideka-akunyili-the-bridge.jpg?resize=800%2C613\" alt=\"The Bridge 2010 Charcoal, ink, acrylic, xerox transfers, lace and paper collage on paper 5 ft. \u00d7 7 ft. http:\/\/njidekaakunyili.com\/work\/the-bridge\" width=\"800\" height=\"613\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/njideka-akunyili-the-bridge.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/njideka-akunyili-the-bridge.jpg?resize=300%2C230&amp;ssl=1 300w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/njideka-akunyili-the-bridge.jpg?resize=768%2C588&amp;ssl=1 768w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/njideka-akunyili-the-bridge.jpg?resize=141%2C108&amp;ssl=1 141w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-363\" class=\"wp-caption-text\">The Bridge<br \/>2010<br \/>Charcoal, ink, acrylic, xerox transfers, lace and paper collage on paper<br \/>5 ft. \u00d7 7 ft.<br \/>http:\/\/njidekaakunyili.com\/work\/the-bridge<\/figcaption><\/figure>\n<p>Janet Werner\u2019s work as a painter focuses on the fictional portrait as a vehicle to explore notions of subjectivity and desire. Her paintings operate within and against the genre of conventional portraiture, taking found images of anonymous figures in popular culture and imbuing them with fictional personalities. The process of painting is a way of investigating the iconic power of the image, invoking imagination, memory, and projection to invest the nameless figure with human subjectivity and emotion. The final paintings are composite portraits that retain aspects of the original while also embodying notions of transformation, innocence and loss. &#8211; http:\/\/www.parisianlaundry.com\/en\/artists\/janetwerner\/bio\/<\/p>\n<figure id=\"attachment_368\" aria-describedby=\"caption-attachment-368\" style=\"width: 1000px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"368\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/ohcanada7\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/ohcanada7.jpg?fit=1000%2C1311&amp;ssl=1\" data-orig-size=\"1000,1311\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"ohcanada7\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Janet Werner&lt;br \/&gt;\nLucy, 2011, oil on canvas, 223.5 x 167.6cm&lt;br \/&gt;\nhttps:\/\/canadianart.ca\/online\/2012\/05\/15\/ohcanada7.jpg&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/ohcanada7.jpg?fit=781%2C1024&amp;ssl=1\" class=\"size-full wp-image-368\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/ohcanada7.jpg?resize=1000%2C1311\" alt=\"Janet Werner Lucy, 2011, oil on canvas, 223.5 x 167.6cm https:\/\/canadianart.ca\/online\/2012\/05\/15\/ohcanada7.jpg\" width=\"1000\" height=\"1311\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/ohcanada7.jpg?w=1000&amp;ssl=1 1000w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/ohcanada7.jpg?resize=229%2C300&amp;ssl=1 229w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/ohcanada7.jpg?resize=768%2C1007&amp;ssl=1 768w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/ohcanada7.jpg?resize=781%2C1024&amp;ssl=1 781w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/ohcanada7.jpg?resize=863%2C1131&amp;ssl=1 863w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/ohcanada7.jpg?resize=82%2C108&amp;ssl=1 82w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption id=\"caption-attachment-368\" class=\"wp-caption-text\">Janet Werner<br \/>Lucy, 2011, oil on canvas, 223.5 x 167.6cm<br \/>https:\/\/canadianart.ca\/online\/2012\/05\/15\/ohcanada7.jpg<\/figcaption><\/figure>\n<p>\u00a0<\/p>\n<figure id=\"attachment_367\" aria-describedby=\"caption-attachment-367\" style=\"width: 524px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"367\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/becky_31x24_2010\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/Becky_31x24_2010.jpg?fit=469%2C600&amp;ssl=1\" data-orig-size=\"469,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"becky_31x24_2010\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Janet Werner&lt;br \/&gt;\nBecky, 2010, oil on canvas, 31 x 24&amp;#8221;&lt;br \/&gt;\nhttp:\/\/www.parisianlaundry.com\/fr\/artistes\/janetwerner\/becky&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/Becky_31x24_2010.jpg?fit=469%2C600&amp;ssl=1\" class=\" wp-image-367\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/Becky_31x24_2010.jpg?resize=524%2C673\" alt=\"Janet Werner Becky, 2010, oil on canvas, 31 x 24'' http:\/\/www.parisianlaundry.com\/fr\/artistes\/janetwerner\/becky\" width=\"524\" height=\"673\" \/><figcaption id=\"caption-attachment-367\" class=\"wp-caption-text\">Janet Werner<br \/>Becky, 2010, oil on canvas, 31 x 24&#8221;<br \/>http:\/\/www.parisianlaundry.com\/fr\/artistes\/janetwerner\/becky<\/figcaption><\/figure>\n<p>Video showing works installed in the exhibition\u00a0Another Perfect Day (2013).<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/RbQyMMunLwY?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-CA&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<figure id=\"attachment_366\" aria-describedby=\"caption-attachment-366\" style=\"width: 1024px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"366\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/janet-werner_4-eyes_2013-1024x815\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/Janet-Werner_4-Eyes_2013-1024x815.jpg?fit=1024%2C815&amp;ssl=1\" data-orig-size=\"1024,815\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"janet-werner_4-eyes_2013-1024&amp;#215;815\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;4 Eyes, 2013&lt;br \/&gt;\nOil on canvas&lt;br \/&gt;\n40.6 x 50.8 cm&lt;br \/&gt;\nhttp:\/\/www.featureartfair.com\/exhibitors\/birch-contemporary\/&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/Janet-Werner_4-Eyes_2013-1024x815.jpg?fit=1024%2C815&amp;ssl=1\" class=\"size-full wp-image-366\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/Janet-Werner_4-Eyes_2013-1024x815.jpg?resize=1024%2C815\" alt=\"4 Eyes, 2013 Oil on canvas 40.6 x 50.8 cm http:\/\/www.featureartfair.com\/exhibitors\/birch-contemporary\/\" width=\"1024\" height=\"815\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/Janet-Werner_4-Eyes_2013-1024x815.jpg?resize=1024%2C815&amp;ssl=1 1024w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/Janet-Werner_4-Eyes_2013-1024x815.jpg?resize=300%2C239&amp;ssl=1 300w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/Janet-Werner_4-Eyes_2013-1024x815.jpg?resize=768%2C611&amp;ssl=1 768w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/Janet-Werner_4-Eyes_2013-1024x815.jpg?resize=863%2C687&amp;ssl=1 863w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/Janet-Werner_4-Eyes_2013-1024x815.jpg?resize=136%2C108&amp;ssl=1 136w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption id=\"caption-attachment-366\" class=\"wp-caption-text\">4 Eyes, 2013<br \/>Oil on canvas<br \/>40.6 x 50.8 cm<br \/>http:\/\/www.featureartfair.com\/exhibitors\/birch-contemporary\/<\/figcaption><\/figure>\n<p>\u00a0<\/p>\n<figure id=\"attachment_365\" aria-describedby=\"caption-attachment-365\" style=\"width: 918px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"365\" data-permalink=\"https:\/\/experimentalstudio.ca\/foundations\/2016\/10\/14\/contemporary-figure-painting\/m11-art-janet-werner-huile-sur-toile-folding-woman\/\" data-orig-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/m11-art-janet-werner-huile-sur-toile-folding-woman.jpg?fit=918%2C1142&amp;ssl=1\" data-orig-size=\"918,1142\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"m11-art-janet-werner-huile-sur-toile-folding-woman\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Folding Woman, 2009, oil on canvas, 168 x 135 cm&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/m11-art-janet-werner-huile-sur-toile-folding-woman.jpg?fit=823%2C1024&amp;ssl=1\" class=\"size-full wp-image-365\" src=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/m11-art-janet-werner-huile-sur-toile-folding-woman.jpg?resize=918%2C1142\" alt=\"Folding Woman, 2009, oil on canvas, 168 x 135 cm\" width=\"918\" height=\"1142\" srcset=\"https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/m11-art-janet-werner-huile-sur-toile-folding-woman.jpg?w=918&amp;ssl=1 918w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/m11-art-janet-werner-huile-sur-toile-folding-woman.jpg?resize=241%2C300&amp;ssl=1 241w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/m11-art-janet-werner-huile-sur-toile-folding-woman.jpg?resize=768%2C955&amp;ssl=1 768w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/m11-art-janet-werner-huile-sur-toile-folding-woman.jpg?resize=823%2C1024&amp;ssl=1 823w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/m11-art-janet-werner-huile-sur-toile-folding-woman.jpg?resize=863%2C1074&amp;ssl=1 863w, https:\/\/i0.wp.com\/experimentalstudio.ca\/foundations\/wp-content\/uploads\/sites\/10\/2016\/10\/m11-art-janet-werner-huile-sur-toile-folding-woman.jpg?resize=87%2C108&amp;ssl=1 87w\" sizes=\"auto, (max-width: 918px) 100vw, 918px\" \/><figcaption id=\"caption-attachment-365\" class=\"wp-caption-text\">Folding Woman, 2009, oil on canvas, 168 x 135 cm<\/figcaption><\/figure>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dana Schutz is an American artist who lives and works in Brooklyn, New York. She is best known for her humorous, gestural paintings that take on specific subjects or narrative situations as a point of departure. &#8211; Jarrett Earnest<\/p>\n","protected":false},"author":34,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"categories":[10,5],"tags":[26,27],"class_list":["post-239","post","type-post","status-publish","format-standard","hentry","category-artists","category-portfolio-3-painting","tag-contemporary-figure-painting","tag-painting-and-identity"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7THRs-3R","_links":{"self":[{"href":"https:\/\/experimentalstudio.ca\/foundations\/wp-json\/wp\/v2\/posts\/239","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/experimentalstudio.ca\/foundations\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/experimentalstudio.ca\/foundations\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/experimentalstudio.ca\/foundations\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/experimentalstudio.ca\/foundations\/wp-json\/wp\/v2\/comments?post=239"}],"version-history":[{"count":20,"href":"https:\/\/experimentalstudio.ca\/foundations\/wp-json\/wp\/v2\/posts\/239\/revisions"}],"predecessor-version":[{"id":1408,"href":"https:\/\/experimentalstudio.ca\/foundations\/wp-json\/wp\/v2\/posts\/239\/revisions\/1408"}],"wp:attachment":[{"href":"https:\/\/experimentalstudio.ca\/foundations\/wp-json\/wp\/v2\/media?parent=239"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/experimentalstudio.ca\/foundations\/wp-json\/wp\/v2\/categories?post=239"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/experimentalstudio.ca\/foundations\/wp-json\/wp\/v2\/tags?post=239"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}