{"id":1188,"date":"2018-11-08T21:39:56","date_gmt":"2018-11-09T02:39:56","guid":{"rendered":"http:\/\/experimentalstudio.ca\/foundations\/?p=1188"},"modified":"2019-10-10T19:27:56","modified_gmt":"2019-10-10T23:27:56","slug":"project-3-intro-to-painting","status":"publish","type":"post","link":"https:\/\/experimentalstudio.ca\/foundations\/2018\/11\/08\/project-3-intro-to-painting\/","title":{"rendered":"Project 3: Intro To Painting"},"content":{"rendered":"\n

Yan Pei-Ming<\/p>\n\n\n\n

With a mastered economy of marks, he delineates his compositions with broad, sweeping gestures and visible drips, resulting in images that dissolve into near-abstraction at close view. From\u00a0http:\/\/www.initiartmagazine.com\/interview.php?IVarchive=6<\/p>\n\n\n\n

\"Yan

Farmer
oil on canvas
200.5 by 200.5 cm.; 78 7\/8 by 78 7\/8 in.
1999
http:\/\/www.alaintruong.com\/archives\/2013\/11\/29\/28545219.html<\/figcaption><\/figure><\/div>\n\n\n

\"\"<\/a>  <\/p>\n\n\n

\"\"
Kerry Zentner, Self Portrait, 2014<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Yan Pei-Ming With a mastered economy of marks, he delineates his compositions with broad, sweeping gestures and visible drips, resulting in images that dissolve into near-abstraction at close view. From\u00a0http:\/\/www.initiartmagazine.com\/interview.php?IVarchive=6  <\/p>\n","protected":false},"author":111,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_post_was_ever_published":false},"categories":[5,8],"tags":[],"class_list":["post-1188","post","type-post","status-publish","format-standard","hentry","category-portfolio-3-painting","category-p1-student-work"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7THRs-ja","_links":{"self":[{"href":"https:\/\/experimentalstudio.ca\/foundations\/wp-json\/wp\/v2\/posts\/1188","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/experimentalstudio.ca\/foundations\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/experimentalstudio.ca\/foundations\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/experimentalstudio.ca\/foundations\/wp-json\/wp\/v2\/users\/111"}],"replies":[{"embeddable":true,"href":"https:\/\/experimentalstudio.ca\/foundations\/wp-json\/wp\/v2\/comments?post=1188"}],"version-history":[{"count":4,"href":"https:\/\/experimentalstudio.ca\/foundations\/wp-json\/wp\/v2\/posts\/1188\/revisions"}],"predecessor-version":[{"id":1241,"href":"https:\/\/experimentalstudio.ca\/foundations\/wp-json\/wp\/v2\/posts\/1188\/revisions\/1241"}],"wp:attachment":[{"href":"https:\/\/experimentalstudio.ca\/foundations\/wp-json\/wp\/v2\/media?parent=1188"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/experimentalstudio.ca\/foundations\/wp-json\/wp\/v2\/categories?post=1188"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/experimentalstudio.ca\/foundations\/wp-json\/wp\/v2\/tags?post=1188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}